Godzilla (2014) Video Game [PS3 and PS4]

Godzilla (2014) Video Game

aka Godzilla VS [Japan PS4 Version]

Genre: Fighting / Action | Players: 1 (Offline) or 2 (Online PS4 only) | Developer: Natsume Atari

The opening cinematic of the game teases action, with monsters going head to head, military responses, dramatic camera angles, and, of course, destruction on a grand scale.

The tutorial that follows is presented in a wonderfully apt way, with a grainy B+W hue that's reminiscent of the first Godzilla movie - and with Akira Ifukube's iconic music playing throughout, the tone is set in suitably dramatic fashion. All in all, it reinforces the notion that getting to play as Godzilla is going to be as good as many G fans thought it would be. [1]

But when reality hits, after just a couple of levels, it hits with a kaijū-sized thump. You may even feel your hopes crumble like a tiny model city during a giant creature brawl. I sure did.

Masters of the Universe: He-Man: Defender of Grayskull (2005)

MotU: He-Man: Defender of Grayskull (2005)

Genre: Action / Adventure  |  Players: 1  |  Developer: Savage Entertainment

Your objective in Defender of Grayskull, if I'm not mistaken, is to advance through poorly designed and repetitive levels battling bland enemies, employing badly animated sword strikes to end their miserable existence. You can use a roll manoeuvre during combat in an attempt to add variety, but it's not necessary and you'll soon probably grow tired of even that once you discover that that it's quicker to simply lock onto them with L2 (if you're lucky) and hack and slash until they become a crumpled heap.

He-Man's burly physique is referenced often, in the piss-poor animation and in having his every step be accompanied by monotonous heavy footfalls that hammer the player's brain with each laboured step. He can also jump, which enables the awful platform sections to be properly cocked-up. At such times, collision detection in hinted at but largely absent.

Assassin's Creed Unity (2014)

Assassin's Creed Unity (2014)

Genre: Action / Adventure | Players: 1 / Multi | Developer: Ubisoft Montreal

AC: Unity was the first of the Ass series to be released on the new (at the time) eighth generation of home consoles; the PS4, etc.

Not being a timely sort of person, I first played it eight years later, in 2022. I should say 'first' and 'last' time because it's bloody awful and I won't be trudging through its story ever again.

To add insult to injury, it came out on the very same day as Ass Creed Rogue came out on the previous generation of consoles. Rogue wasn't perfect, but it was infinitely more playable in comparison to the 'next generation' Unity.

I'm reminded of the proverb 'with great power comes great responsibility', except in Ubisoft's case it's more like 'with greater processing power comes greater catastrophe'. I usually leave my glitch report until after I've mentioned gameplay, etc, but Unity has nothing of value to relay, so the glitch report is all there is!

Tony Hawk's Pro Skater 4 (2002)

Tony Hawk's Pro Skater 4 (2002)

Genre: Sport  |  Players: 1-2  / Up to 8 online  |  Developer: Neversoft

If the shouty parts of the internet are to be believed, a majority of Tony Hawk game fans consider Tony Hawk's Underground (2003), aka THUG, to be the turning point for the franchise, the game where it went from strength to shambles. I differ in that I feel THPS 4 was that point because it was the title that changed the core structure upon which all else was built. THUG just took it to the next (lowest) level.

Gone are the quick 'arcade style' individual runs, replaced by a more open-world, free-skate environment called Career Mode in which tasks or goals have to be initiated by speaking to NPCs, and to do that you first have to find the damned NPCs in the now larger environments.

Making each area more expansive may sound good in theory, but in practice it means that there are less nearby objects to combo to and you have further to travel to find the next goal each time you complete one. You can choose goals from a list in the menu once you've discovered them, but why would you want to do that?

Tony Hawk's Pro Skater 3 (2001)

Tony Hawk's Pro Skater 3 (2001)

Genre: Sport  |  Players: 1-2  / Up to 4 online (PS2 only)  |  Developer: Neversoft

I won't bore anyone reading this with the tragic tale of where my first PS2 console went, a reliable as hell OG Phat version, but some years ago I bought a Slim version from eBay primarily for one reason: to play THPS 3 again.

THPS 1 and 2 on the original PlayStation console were both fun games, but sometimes even the simplest action was more difficult to do than it ought to have been, and the frame rate was inconsistent on the larger levels.

On the surface THPS 3 on PS2 doesn't do much radically different from its predecessors, but to play it is to discover that Neversoft successfully honed the formula to near perfection - basically, everything except the tricky frame rate.

AER: Memories of Old (2017)

AER: Memories of Old (2017)

Genre: Adventure | Players: 1 | Developer: Forgotten Key

AER: MoO deserves praise for a number of things, but perhaps not so much as an actual game. That doesn't mean it's a joyless experience, though. I enjoyed much of it, for the brief time that it lasts.

Its biggest influences are Nintendo's The Legend of Zelda, specifically Skyward Sword (2011), which is the least fun I've ever had with a LoZ game, and Thatgamecompany's majestic Journey (2012).

It has a similar setting and makeup as SS, (i.e. set upon floating land masses in the sky, with a few dungeons/temples that must be visitied in order to progress) and attempts the same kind of soulful pilgrimage that Journey handled so perfectly.

Both the aforementioned games feature a wordless protagonist, as does AER. Her name is Auk.

Auk is a shifter, able to transform at will into a large bird, enabling her to traverse from one floating island to another with ease. The actual transformation is fluid and pleasing to do, performed by a single button-press, both ways.

Arcane Quest (2013)

Arcane Quest (2013)

Genre: RPG | Players: 1 | Developer: Nex Game Studios

Arcane Quest is a FREE mobile phone game (subsequently also on PC, with HD graphics, but I'll be referring specifically to the Windows Phone version). The game isn't actually HeroQuest on your phone, because that would be plagiarism, or trademark infringement, or something equally as nefarious and icky, but, put simply, Arcane Quest is HeroQuest on your phone. Rejoice!

Red Dead Redemption (2010)

Red Dead Redemption (2010)

Genre: Third Person Shooter / Action / Sandbox | Players: 1 / Online Multi

Developer: Rockstar San Diego

I love a good Western! When I say those words out loud it usually means I'm thinking of a classic genre film, or even a TV show, but not this time - this time it's a PS3 game.

If you were to take all that's good about the film and TV medium and mix it with biting satire and social commentary (Rockstar style), then you'd have the formula for Red Dead Redemption, which is what the acclaimed developers appear to have done.

You've maybe heard it described as Grand Theft Auto: Wild West, and while that's essentially true, they're both sandbox games sharing many features, it's also a disservice to the scope and underlying heart of RDR, which is something that GTA typically lacks.

Yakuza Kiwami (2016 / 2017)

Yakuza Kiwami (JP: 2016 / WW: 2017)

Genre: Action/Adventure | Players: 1 | Developer: Ryu Ga Gotoku Studio (SEGA)

Kiwami (meaning 'ultimate' or 'extreme') is an updated, overhauled and expanded PS4 remake of the very first Yakuza game, which was a PS2 exclusive title that received its western release in 2006, a year after its original Japanese release.

With it being the first game done over it'd be natural to assume that it's a perfect jumping on point for new players, but that's not quite the case. It does an okay job at being such, but there's a small number of sub-stories that follow on from occurrences in the previous year's Yakuza 0 (2015), a prequel game set in 1988, seventeen years before Kiwami. So if you want to be clued-in with regards every minor plot thread, you'll need to have played Yakuza 0 first.

The downside to that approach is that Yakuza 0, though set earlier in time, is a more accomplished and varied game. The devs did a tremendous job updating most parts of Kiwami, but lessons learned from and since the original game and its sequels, particularly regarding mission structure but also in storytelling and event timing, mean that for some players Kiwami's ageing game engine may feel dated and clunky by comparison.

Yakuza 0 (2015 / 2017)

Yakuza 0 (JP: 2015 / WW: 2017)

Genre: Action/Adventure | Players: 1 | Developer: Ryu Ga Gotoku Studio (SEGA)

A prequel set in December, 1988, seventeen years before the events of the first game in the long-running Yakuza (Ryū ga Gotoku) series.

It begins with main protagonist Kazuma Kiryu (box art, front right, white suit) on the streets of Kamurocho, Tokyo, having just kicked seven shades of shit out of some guy. But it's not just violence for the sake of it; the act itself is central to the story and to Kiryu's development and decision making, here and in the aforementioned first entry. How a man responds to violence is a measure of his character, and for Kiryu that measure is a large part of what defines him.

The earlier era means Kiryu is younger (and a little more arrogant), but it influences gameplay in other ways, too, such as the technology on offer (e.g. a pager instead of a mobile phone) and the layout of the map. Anyone familiar with the layout of the streets and alleyways of Kamurocho will find it slightly different to how it will look seventeen years hence, with one omission being particularly notable.

Mad Max: Video Game (2015)

Mad Max (2015)

Genre: Action / Adventure / Sandbox | Players: 1 | Developer: Avalanche Studios

An open-world sandbox game with a lot of actual (er... virtual) sand to futz around in. The setting is a similar post-apocalyptic wasteland landscape to that of the Mad Max films; it isn't based on any one feature, instead taking ideas from them all, but draws most heavily from MM: Fury Road (2015).

You play as the titular anti-hero, Max. Again, it's a new but familiar version, not rendered in the likeness of either Mel Gibson or Tom Hardy, but he's just as taciturn and gruff.

He's a standard video game tough guy, the kind that can survive getting hit by a speeding car but can't manage to jump over a foot-high fence that's blocking his way or manage to even walk while aiming his gun/projectile.

Beyond Eyes (2015)

Beyond Eyes (2015)

Genre: Story / Art Game | Players: 1 | Developer: Tiger & Squid (with Team17)

The young girl pictured is named Rae, and she's unusual in a number of ways. Firstly, she has none of the typical video game protagonist powers (run, punch, jump, etc), but in addition to that her connection to her world is defined primarily by what she hears, not what she sees, because Rae is blind - although, it's possible that she can discern shapes when they're very close, it's never explicitly stated. Either way, it's a fascinating and bold premise for a game, a medium that's inherently visual in nature.

The world in which Rae exists is bursting with colour, but she sees little or none of it. Things beyond the girl's hearing and/or limited range of sight aren't even drawn or rendered; they're blank until you move her near them. But rather than being black like a void or an absence of colour, they're bright white like parchment, ready to be written on. As you approach an area it gets filled in, resembling a watercolour painting in real time; I like to think of it as a story book coming to beautiful life in response to Rae's presence.

.hack//Infection //Mutation //Outbreak //Quarantine (2002-03)

.hack//Infection, etc. (2002-03)

Genre: RPG  |  Players: 1  |  Developer: CyberConnect2

To clarify the confusing titling, there are four games in the series, each telling part of a lengthy story and each with the .hack// prefix. The games in order are: Vol 01 .hack//Infection | Vol 02 .hack//Mutation | Vol 03 .hack//Outbreak | Vol 04 .hack//Quarantine.

They're a traditional JRPG but resemble an MMORPG that remains one hundred percent offline. The story goes something like this: a popular MMORPG known as The World has caused a small number of players to fall into a coma. The game's creators attempt to hush the situation, but the scandal still breaks.

Despite the danger, a young boy named Kite selflessly enters the game to help his friend Orca, one of the coma victims. Kite believes the answer to the mystery lies within The World itself. He's a hero but doesn't know it yet; it's up to you to guide him to his destiny.

Bound (2016)

Bound (2016)

Genre: Platform / Art Game  |  Players: 1  |  Developer: Plastic

I avoid video game sales charts because they tend to paint a bleak picture of the hobby. Truly innovative games occasionally break though the COD and FIFA lines but they never stay around for long, and within a few weeks they're usually gone. It's not a situation unique to games - movies and music charts are the same. The companies that can afford to spend millions on advertising reap the biggest returns. The little guy gets stomped on. It's the old story, retold year after year.

But there's a flip side, a small number of people who dare to risk hard-earned cash on something new and different that carries a risk factor because they believe that fresh experiences are more precious than any value placed on currency. I count myself amongst their numbers, which brings me to Bound.

The Last Guardian (2016)

The Last Guardian (2016)

Genre: Adventure / Puzzle / 3D Platformer  |  Players: 1  |  Developer: Team Ico / genDESIGN / SIE Japan Studio

The many delays and behind the scenes troubles that plagued the game's development are well-documented elsewhere, so I'll skip all of that. My stance can be summed up with a familiar phrase, 'better late than never.' And in a strange way the delay makes TLG more special to me because it delivers today the kind of daring character-driven one-player PS2-era experience that is becoming rare in titles on modern consoles.

But, subjective silver lining aside, there's a drawback to deal with. While not much of a problem at the beginning, what's required of you as you progress deeper into the game's world causes the camera mechanic to feel outdated. Because it has to acknowledge both the boy and the giant cat-bird-dog creature (named Trico) featured on the cover art, it can choose to favour one when you need it to favour the other.

Assassin's Creed Chronicles (2015-16)

Assassin's Creed Chronicles (2015-16)

Genre: Platform / Stealth | Developer: Climax Studios

Considering how much of a spiritual debt the Ass franchise owes to Prince of Persia, it's fitting that it should return to a similar format with the smaller games. Ass Chronicles does just that.

It takes place within a 2.5D environment, a peculiar term that I'm guessing most gamers will already be familiar with. But if not, it's somewhere between a 2D and 3D environment; i.e., you move from left to right or right to left as you would in a traditional 2D side-scrolling video game adventure, but you can move into and out of more than one plane or layer from time to time, giving the illusion of depth. Functionally it enables you to hide or traverse past obstacles or enemies that would otherwise block your path.

To date, there have been three games in the Chronicles series, each with its own unique protagonist. Each one is available to buy separately, or collected together as a Trilogy Pack. However you acquire them, if you play them in the order they were originally released, then your first port of call is China in the year 1526.

3D Dot Game Heroes (2009)

3D Dot Game Heroes (2009)

Genre: Action / Adventure / RPG  |  Players: One  |  Developer: Silicon Studio

If you read the words sword, shield, life meter (red), magic meter (green), bomb bag, bottles, boomerang, magic boots, maze-like puzzles, side quests, and fairy companion, then there's a high probability that you're going to think The Legend of Zelda, right? 

I would too, but now you can add Silicon Studio's 3D Dot Game Heroes to the list. 

It has a stupid title, I know, and it would be natural to assume before playing it that the blatant theft makes it deserving of derision, but the opposite is true, it deserves much praise. It takes the classic, honed to perfection, 8-bit LoZ 2D aesthetic and translates it into a homage-filled 3D adventure for PlayStation 3 owners.

Assassin's Creed: The American Saga (2012-14)

Assassin's Creed III (2012)  |  Assassin's Creed IV: Black Flag (2013)  |  Assassin's Creed: Liberation (2014)  |  Assassin's Creed: Freedom Cry (2014)  |  Assassin's Creed: Rogue (2014)

Assassin's Creed: The Ezio Trilogy (2009-11)

Assassin's Creed II (2009)  |  Assassin's Creed: Brotherhood (2010)  |  Assassin's Creed: Revelations (2011)

Ni no Kuni: Wrath of the White Witch (2013)

Ni no Kuni: Wrath of the White Witch (2013)

Genre: RPG | Players: 1 | Developer: Level-5

I was so hyped for Ni No Kuni that I pre-ordered it seven months before it was even released on these shores. I began to think there was no way it could live up to my expectations. I was very wrong. It’s the kind of JRPG that hasn't been seen for a long time; the kind that comes along only about twice every console generation.

You play as a young boy named Oliver as he searches for something meaningful within two worlds and within himself. Along the way he’ll face physical and emotional trials.

The story could've tugged more fiercely on the heartstrings; there are scenes that feel forcibly reserved, which is odd considering it's by Studio Ghibli. They also provided cut scenes, character designs and beautiful in-game animation full of colour and vibrancy.