The Chronicles of Narnia: Live Action Films (2005-10)

The Chronicles of Narnia: Live Action Films

Dirs. Andrew Adamson (Films I + II) / Michael Apted (Film III)

01. The Lion, the Witch and the Wardrobe (2005). Aside from a few minor changes and a couple of newly written action scenes — because it's Hollywood and they just can't help themselves — the WMG + Disney version of C.S. Lewis' beloved children's novel is better than I expected it to be.

The first third is excellent, including each of the young actors. Lucy (Georgie Henley) is particularly good, in that she successfully embodies the sense of wonder that a child should feel after finding another world in the back of an old wardrobe.

Things only really begin to slide when the talking CGI animals appear. The great lion Aslan should have a splendour that eclipses all else, but his being rendered in boring CGI most of the time means that he might as well not be there at all.

The unnecessary use of such across the board is a stain on what I feel is otherwise the best filmed version of the novel, to date.

Doctor Who: Modern Era Davros (2008-15)

Doctor Who: Modern Era Davros (2008-15)

NOTE: there are SPOILERS for a number of Modern Era Dr Who stories below this paragraph. It would be advisable not to read any further if you're not okay with that.

Following on from the Classic Era Davros (1975-88) post, some words on his appearances in the Modern era. He was mentioned a couple of times during Series 01 and 03, but he didn't actually appear until later, in a noteworthy Series 04 adventure.

I won't mention the title of the episode in this introductory paragraph, for anyone that would prefer to enjoy the surprise reveal during a first watch-through. Personally, I feel that's the best way to experience the story, but I'll need to name it if I'm to write about it, so, as already mentioned, SPOLERS below the cut!

Apparitions (2008)

Apparitions (2008)

Dirs: Joe Ahearne [1,2,5,6] / John Strickland [3,4] | 6 episodes, approx 56 mins each.

Father Jacob Myers (Martin Shaw) examines evidence of miracles for an institution that considers itself earthly protectors and purveyors of the word and will of God, i.e., the Catholic Church. His findings help determine who does or doesn't get canonised as a Christian Saint.

While investigating the claims of a young trainee [pre-ordination] priest (Elyes Gabel), Father Jacob discovers what he believes to be an actual demonic possession. His actions thereafter lead him to uncover something even more troubling, which may affect his own future role.

I watched Apparitions solely because it starred Martin Shaw, who played the titular inspector in the George Gently TV Series (2007–17) that I'd finished and thoroughly enjoyed a few nights before. Shaw was excellent as Gently, and he was good as Father Myers, too, but the miniseries didn't come close to satisfying my 'evening viewing' time in the way that Gently had.

Tactical Unit: The TV Movies (2008-09)

Tactical Unit: The TV Movies (2008-09)

Dirs. Various (see below)

Note: Five TV Movies that followed Johnnie To's PTU (2003). You don't need to have seen PTU in order to follow the story of each TU movie, but it might be helpful and it's such a good film that I feel compelled to encourage a viewing, anyhow.

Tactical Unit TV Movies in the order released:

01. In Tactical Unit: The Code (2008), directed by Wing-Cheong Law, three members of the PTU are captured on CCTV while beating up a civilian (i.e., crook), but the picture is grainy and their faces aren't clear. While an internal division that deals with corrupt cops tries to uncover the truth, the guilty trio hunt for the one man who can identify them: the man that they left bleeding in an alley. Ultimately, it's a race against time for both parties.

PTU: Police Tactical Unit (2003)

PTU: Police Tactical Unit (2003)

aka Tactical Unit: Into the Perilous Night

Dir. Johnnie To

A small team of Hong Kong Police Tactical Unit troopers search the streets for a comrade's missing gun over the course of one eventful night. They're the typical scumbag law enforcers that are common the world over, the kind that's ordinarily difficult to sympathise with, and yet somehow Dir. Johnnie To encourages viewers to do just that; and with each incremental, upwards notch of the danger level, one can stay fixedly right alongside them.

It didn't have a huge budget, but it evidently didn't need one. Instead, PTU has enough dramatic style and subtle humour to keep the meticulously paced slow burn of the story engaging until the various threads of the story meet and it becomes more than the sum of its parts; like the roads of a busy city, its avenues and pathways are interconnected.

There's music occasionally (by Chung Chi-wing) but mostly the sounds of the night-time streets are what's heard, functioning as another subtle but perfect connection to the environment.

Torchwood: TV Series (2006-11)

Torchwood (2006-11)

Dirs: various | 4 Seasons | 41 episodes, approx 44-57 mins each.

A Doctor Who offshoot that was targeted at a more mature audience than its parent series. In theory that's an interesting prospect, but in reality the definition of 'mature' seems to have been derived from a yobbish, vulgar, and sex-obsessed teenager's personal diary.

Season 01 is particularly bad in that regard, as if the show's writers believed that profanity and multiple references to casual sex were compensation for a well-written script. [1]

Consequently, most of its episodes are a dismal and joyless slog through predominantly bland storytelling, populated with unlikable characters whose traits are more often than not reprehensible and shameful.

I suspect it's more due to blind luck than any kind of skilful plan that it managed not to turn the group's leader, Doctor Who's Captain Jack Harkness (John Barrowman), into the same. [2]

The Scorpion King Movies (2002-18)

The Scorpion King Movies (2002-18)

Dirs. Chuck Russell / Russell Mulcahy / Roel Reiné / Mike Elliott / Don Michael Paul

01. The Scorpion King (2002): The Rock's first real acting job is a prequel story to his piss-poor cameo in The Mummy Returns (2001).

The role of Mathayus is perfect for him, playing to his strengths and his abilities. He gets to do most of what he did in the WWE: throw people about, look manly, charm an audience with ease, and deliver the trademark raised eyebrow that makes him look simultaneously smug and endearing.

Kelly Hu saves the costume department some cash by being half-naked most of the time.

The irritating comic relief sidekick role, played by Grant Heslov, isn't as bad as it could've been, but the character can be easily ignored the majority of the time. Ultimately, it's a good 'bad' movie.

Stargate: Continuum (2008)

Stargate: Continuum (2008)

Dir. Martin Wood

The Ark of Truth (2008) had a fairly pleasing final scene, the kind that draws a line under what came before while acknowledging the role of an unwritten future in franchise-land, so there was no real need for a second TV Movie. But one could argue that the villain of Continuum was a loose end from the TV series that needed tying up, I suppose. Whatever the case, Continuum is definitely not as good as the previous TV Movie. I've watched it twice and grew bored both times.

Among other things, it's a story of the Stargate itself, before it got transported to the US to become the central part of the Stargate program at SGC. Well, it's kind of that, but in a more science-fictiony way. It connects an event on the Tok'ra homeworld to a ship carrying a special cargo in the Atlantic Ocean in the year 1939.

It's good that it doesn't introduce a new 'one time only' big-bad, but what I enjoyed most was seeing some cast members from yesteryear alongside the regular ones. Fan-service it may be, but it's also complementary to the plot.

Nine Inch Nails: The Slip (2008)

Nine Inch Nails: The Slip (2008)

The Slip does what many of the post millennium NIN albums basically do: it mixes the angry and the serene, and after repeated listens it's the serene tracks that prove to have the most depth musically and emotionally.

It was reportedly created in just three weeks, being an experiment in 'working with a compressed timeline'. It adheres to a mostly paint-by-numbers formula, but at least none of those numbers are (Year) Zero.

The end result does sound kind of rushed, but the enthusiasm for both the music and the project is definitely evident in the compositions and there are some quality tracks to be found.

It was FREE from the official site, released under a creative commons license (although a physical release did follow). Curiously, it no longer seems to be on the official website, at time of writing, but is still available from the Internet Archive in both lossy and lossless formats.

Stargate: The Ark of Truth (2008)

Stargate: The Ark of Truth (2008)

Dir. Robert C. Cooper

The weekly SG-1 series ended with Season 10, but the story of the Ori didn't - there was some ambiguity over whether or not the Tau'ri's plan to destroy the aggressors was entirely successful or not. TV Movie Ark of Truth remedies that. I don't know why it drops the SG-1 designation from the title, but it's SG-1 in every way.

There's an optional catch-up prelude (approx nine mins) to refresh the memory of anyone who may need it, but seeing as how I went from S10 to TAoT in less than 24 hours, I didn't watch it. 

The opening music turns much more dramatic as it leads into the opening scene, which was a nice touch, familiar but different at the same time.

After a short scene set many, many years before present day, we catch up with some members of the team as they hunt for the titular ark. The location is clearly a soundstage pretending to be an outdoor location, but it looks pretty.

Let It Snow (2008)

Let It Snow (2008)

Authors: Maureen Johnson / John Green / Lauren Myracle  |  Page Count: 368

'It's such a disaster, whenever, in the course of human relationships, someone begins to chisel away at the wall of separation...'

A collection of three novellas, one from each of the authors mentioned above, with a different take on the theme of 'holiday romance'. The holiday, which you've likely already guessed, is Christmas. The individual stories are linked by location and certain events overlap more than once, so it's more like a novel with changing authors as opposed to a traditional anthology.

Appropriately, snow blanketed the ground on the three days that I'd set aside to read the book. My windows were closed tight and the curtains purposefully drawn to lessen the chill, but I knew it was there and I'd been caught in it a few times whilst out walking.

It may sound ridiculous, but I believe that being cold helped me better appreciate the situations that the characters found themselves in. I'd hoped for some emotional warmth from the text to counteract the chilly settings, and in all three cases it was delivered; although the levels at which it was apparent did vary from one to the next.

The Day the Earth Stood Still (2008)

The Day the Earth Stood Still (2008)

Dir. Scott Derrickson

A remake of the The Day the Earth Stood Still (1951) wasn't needed, but the underlying message is still pertinent, so there's some justification for updating and presenting it anew to a generation of science-fiction fans that may have missed out on the previous film.

Many of the same elements are in place, but most are approached from a different perspective; some are even inverted. The changes in the first hour were good, taking into account the progressions in technology and giving the film more urgency than its predecessor.

I was expecting scenes of a CGI Gort laying waste to over-familiar parts of America, but, mercifully, Gort's used only when needed. The focus is on Klaatu (Keanu Reeves) and his relationship with his surroundings, as it ought to be. I know that Keanu isn't the best actor in the world, but the remoteness that often characterises his style is, I feel, beneficial to the character this time around. In context, he's as suited as Michael Rennie was to the 1951 version.

Nine Inch Nails: Ghosts I – IV (2008)

Nine Inch Nails: Ghosts I – IV (2008)

The sixth NIN studio album is almost entirely instrumental. It's a work that needs abstract analogies to define it.

I'm respectfully not going to attempt to provide any such things because they'll likely be different for everyone who hears it. Whether intentional or not, the music is like a soundtrack to whatever fleeting thought a subject's mind conjures when it's given free rein to do so. As you listen to it play, you'll create the meaning yourself.

It's split into four parts with nine tracks apiece. There's a specific mood to each of the four parts but they're malleable and can be made to fit the listener's own ideals and anxieties.

Food, Inc. (2008)

Food, Inc. (2008)

Director: Robert Kenner

Most adults are aware that the burger they're holding, or the steak they're carving, was once part of a cow, likely mistreated before being violently killed. But the majority of consumers can put that out of mind as they bite down.

If the things that people do know don't bother them, then what about the things they don't know? Food, Inc exposes the ugly truths.

It's not a documentary about animal rights, it's about giant food corporations that no longer pay American farmers to simply 'raise' chickens for them. Instead, they pay businessmen to 'grow' chickens on factory farms, because fat birds = fat wallets. It's not just live animals; the story of corn and soy beans is just as terrifying.

The film's light on statistics, opting more for something akin to scare tactics, but the hidden camera footage speaks for itself without needing diagrams, if you've got the stomach for it.

The Sarah Jane Adventures: The Complete First Season (2008)

The Sarah Jane Adventures:

The Complete First Season (2008)

Dirs: Various | Episodes: a one-hour pilot + 10 episodes, approx 25 mins each.

A Doctor Who spin-off aimed primarily at teenagers might not sound overly exciting, but The Sarah Jane Adventures is something very special. It addresses questions that many long-time Doctor Who fans have probably asked themselves at least once: what happens to the travelling companions after they leave? When they go back to a 'normal' life, how do they readjust after the wonders they've seen?

Created by Russell T Davies, the man credited with making the parent show such a renewed success, it offers the same kind of action packed flights of fantasy, grounded regularly by relatable emotions and characters guided by concern for each other.

It exists within, and expands upon, the same fictional universe, populated by the same kind of threats, and through it all remains faithful to the existing continuity, while creating some of its own. You can think of it as Doctor Who diluted, if you want to, but it's arguably just as exciting as the real thing, no matter what age you are.

Judge Dredd: America (2008)

Judge Dredd: America (2008)

Author: John Wagner | Illustrator: Colin MacNeil | Page Count: 144

'Somewhere along the way childhood ended. Ami and I were drifting apart. I watched it happening, hating it. Powerless to prevent it.'

America is regarded by many Judge Dredd fans as one of the best Big Meg stories ever written, and with good reason. It's a mature telling of a small but significant event in the Megacity's history.

If you join the dots over a longer period of time it can even be seen as a precursor to an eventual re-evaluation of the Judaical system itself.

From the story's first panelled page it's clear that what we're getting is a deeply personal confession suffused with tragedy and a sharp, painful remorse that even time hasn't dulled. It puts us on the alert and reminds us that notions of hope and change are a dangerous combination when paired.

Classics Illustrated: The War of the Worlds (2008)

Classics Illustrated: The War of the Worlds (2008)

Author: H.G. Wells | Adaptation: Harry Miller | Illustrator: Lou Cameron | Page Count: 49

'There being no further movements from the pit, horror gave way to an uncontrollable curiosity and I began moving closer.'

For thirty years (1941-71) the Classics Illustrated comic books adapted literary classics into the comic book medium for a younger audience to enjoy. (It can be more accurately thought of as 'Classics Adapted, Illustrated and Abridged', but that's not a catchy title.)

Originally issue #124, H.G. Wells' science fiction novel The War of the Worlds (1897) was chosen to be the first issue in a digitally recoloured reprint for a modern audience. I'm not an advocate of recolouring artists' works, but if it helps younger readers discover the stories of yesteryear, then I'll roll with it as best I can.

I won't be attempting a traditional story synopsis, but will share some thoughts on the book, in general.

The Hood Trilogy (2006-16)

KiDULTHOOD (2006)

Dir. Menhaj Huda

A hard-hitting drama set in the suburbs of west London exploring what daily life is like for a small number of teenagers in mid-2000s era Britain, most of whom are approximately fifteen-years-old. Many folks, especially parents, will be offended or even outraged by the use of language, violence, drugs and sex in the film, but that doesn't mean it isn't an accurate reflection of what's actually happening on the streets outside their front door.

The activities and friends are spread out over a small area and a few short days, culminating in the kind of unsupervised teenage house-party that rarely goes off without a hitch.

For at least two of the youths it's a build-up and event that's nothing short of life-changing, in the most unforgettable ways.

Supernatural: Season 03 (2008)

Supernatural: Season 03 (2008)

16 episodes, approx 42 mins each

We've come a long way since Dean the hunter called upon Sam the pre-law student to help him find their missing father.

The simplistic Dean = acceptance / Sam = denial standings that served as a basic foundation for Season 01 have evolved. The brothers are now more complex characters with attributes and emotional responses that give rise to even deeper inner conflicts, an element that's crucial to all good drama, regardless of the genre it's tethered to.

Unfortunately, Season 03 doesn't make best use of that growth. The Writers Guild of America strike (November '07 - February '08) had a direct impact on the show. Series creator Eric Kripke has revealed that the strike caused a number of things to be truncated, changed or pushed back in order to accommodate the problematic schedule. The planned number of episodes also took a hit, reduced from the usual 22 to just 16.

ICO: Castle in the Mist (2008)

ICO: Castle in the Mist (2008)

Author:  Miyuki Miyabe  |  Translator:  Alexander O. Smith  |  Page Count: 370

'Whatever it was that dripped from the cage, it was blacker than pitch, the colour of melted shadow.'

The story as presented in the ICO video game (2001) was purposefully vague. It encouraged players to speculate about the backstory of the characters.

The act of filling in the blanks gave rise to a more personal experience for the player, making us not just the protagonist but also the teller, the narrator of the story as it was being lived/directed in real time.

Reading someone else's version of those same events, comparing and contrasting them with your own, can be an interesting or even rewarding undertaking for some folks. But when put into context, isn't a published version of such simply fan-fiction being sold at RRP?

Regardless of whether or not that's a fair assessment, I made sure while reading to judge the work for what it did well (or otherwise) with regards world-building, characterisation, etc, and not for being different to my own interpretation of the game's story; to have did otherwise would be a disservice to everyone involved.