Supernatural: Season 07 (2012)

Supernatural: Season 07 (2012)

23 episodes, approx 42 mins each.

My hope going into Season 07 was that it would be an improvement over Season 06,  even just enough to lift the series out of the shit-heap that showrunner Sera Gamble had put it in, but I don't feel that that happened.

A large part of the reason is the new ongoing threat, first mentioned in the season opener.

Known as Leviathans, the carnivorous bitey things (as pictured on the cover art) were created by God before even the Angels, but for reasons that I won't go into were imprisoned in a holding place that was made just for them. Naturally, they find a way through into the world  of humans. And that's as good as that particular story arc gets.

Scream!: The Specials 1985-2024 (2025)

Scream!: The Specials 1985-2024 (2025)

Author + Illustrators: Various (Too numerous to mention here. See CREATOR INFO at the bottom of the page for full list of known names.) | Page Count: 400

'It was three o'clock in the morning and Billy Billings was having his nightmare again... Only it wasn't a nightmare any more, it was real!'

A companion volume to 40 Years of Scream!: The Archival Collection (2024) that collects together much of the post-cancellation Holiday Specials, including those from the revived era (2017-24).

Slightly more than half of the book is vintage content from 1985-89. The reminder reprints everything Scream! related from 2017-24. See footnotes for a full list of what's included. [1]

It makes my day to see the 1980s specials get a second life, but it's not as complete as it could've been. I'm not trying to deter anyone from buying it, but I feel it's important to note certain details.

Jacob's Ladder (1990)

Jacob's Ladder (1990)

Dir. Adrian Lyne

Jacob's Ladder has never had a poster or home release cover that did it justice, on any medium, so I chose the image that I consider to be most iconic. It was used to promote the film in UK Video Stores, and is the one that I had taped to my wardrobe door for many years as a teenager.

It doesn't give any real indication of what the story is about, but, after viewing, you'll maybe agree that it does at least capture the tone of the film's more unsettling, thematically dark moments.

I'm deeply sympathetic to whoever initially chose it because I now find myself wanting to convey why I feel the film excels in its genre, but also want to avoid providing info to anyone who hasn't seen it, because a first viewing is best experienced with as little foreknowledge as possible.

It's a psychological horror in which a Vietnam vet named Jacob (Tim Robbins) struggles with fragmented memories of at least two traumatic events: one that occurred before the war, and one that occurred during it.

Supernatural: Season 06 (2011)

Supernatural: Season 06 (2011)

22 episodes, approx 42 mins each.

As mentioned in the Season 05 post, series creator Eric Kripke stepped down as showrunner after the show's fifth year. His successor was Sera Gamble, a long-time writer, story editor, and respected producer of the show. Her history with the Winchesters goes in her favour, but Season 06 is, on balance, a weak continuation.

Each of the three primaries have their role to play in the main story arcs, with each one impacting the others by varying degrees that are equal parts useful and / or contrived.

Without going into spoiler territory, the arcs revolve around a radical change in Sam's personality, Castiel's new plan, and problems for Dean in his newly found 'apple-pie' life.

Supernatural: Season 05 (2010)

Supernatural: Season 05 (2010)

22 episodes, approx 42 mins each.

It's advisable to skip the recaps that precede each episode of Supernatural because the footage used is more often than not a spoiler for which character(s) will appear, which ruins any carefully plotted surprise reveal that may be present, but given that it's been five years since I finished Season 04, it was a necessary evil that I watch them... and yes, it spoiled the surprise almost every time.

The theme for Season 05 is Apocalypse, which follows on from how the previous year ended. In context, that relates mostly to the prophecies of the 'end times' that have been divined from the Revelations part of the Christian Bible; i.e., the non-boring chapter. If Sam and Dean can't put a stop to the coming storm, the world will go all to hell.

Masters of Horror: Series 02 (2006)

Masters of Horror: Series 02 (2006) [Complete]

Dirs: Various (See Below) | Episodes: 13 (Total), 55 minutes each, approx.

More of the same kind of hit and miss anthology stories from many of the same people that were involved in Series One. This first half contains the first seven episodes. There may be a difference in running order between the Region 1 and Region 2 editions. I'm using the UK Region 2 editions. As with Series One, NA also got a full series box (Vols 01 + 02).

Masters of Horror: Series 01 (2006)

Masters of Horror: Series 01 (2006) [Complete]

Dirs: Various (See Below) | Episodes: 13 (Total), 55 minutes each, approx.

Mick Garris, filmmaker, friend and critic of horror cinema assembled thirteen of the genre's most celebrated directors together for the first series of Masters of Horror. Each director was given one episode. The results aren't always what you'd probably expect, given each person's previous filmic history, but there's an occasional gem to be found amongst the mostly uneven murkiness.

You can find some very brief thoughts below the cut. The listed order reflects the UK Region 2 DVD editions. The US Region 1 running order is different. The UK versions were split into two parts per series, which is four box sets in total. NA also got a full series box (Vols 01 + 02).

The Omen: Films (1976-06)

The Omen: Films (1976-06)

Dirs. Various

01. The film that single-handedly caused kids named Damien to get targeted by bullies at school throughout the 80s (and beyond?), The Omen (1976 / Dir. Richard Donner) is a 1970s suspense / horror film that relies on mood and pace to elicit a progressive sense of dread in the viewer.

Gregory Peck is utterly believable as the American Senator with an evil little shit for a son (Harvey Stephens). Throw in some horror convention, a creepy nanny, a house that lacks life, and a biblical poem and you have a classic that looks dated but still manages to shock and entertain.

In lesser roles are David Warner, Billie Whitelaw, and Patrick Troughton, all of whom are equally great. Prolific composer Jerry Goldsmith's musical score adds an extra layer of palpable eeriness.

40 Years of Scream!: The Archival Collection (2024)

40 Years of Scream!: The Archival Collection (2024)

Authors: Various (inc. Alan Grant / Alan Moore / Gerry Finley-Day / John Wagner / Simon Furman | Artists: Various (inc. Brendan McCarthy / Cam Kennedy / Eric Bradbury / Jesus Redondo / José Ortiz / Mike Western) | Page Count: 464

'A torturous approval system was imposed, where pages thought editorially sound had to pass four further levels of oversight...'

Rebellion, current owners of 2000 AD and its associated media, would publish the instructions from a toilet roll if they thought they could make money from it, and then within a year or two probably republish it as part of a themed anthology, perhaps with the ingredients of some liquid hand soap to bulk out the page count, and some adverts for other upcoming collections.

On the flip side, they're rescuing some classic-era works from virtual obscurity via their Treasury of British Comics imprint and giving them a new, vibrant life on higher quality paper stock than most ever would've been given back in the day.

Primal: From the Cradle to the Grave (1992)

Primal: From the Cradle to the Grave (1992)

Authors: Clive Barker / Daniel G. Chichester / Erik Saltzgaber

Illustrator: John Van Fleet | Page Count: 64

'Tiny bones are cast aside, sweet suck of marrow still within. Half-masticated gristle spit out to make way for new treats.'

Fortunately, I chose to read Primal on the strength of Clive Barker's involvement and didn't read the blurb on the back until after I'd finished the book in its entirety. I recommend the same approach to anyone who may be interested in reading it because the blurb is spoilery.

In case that sounds like a recommendation, I'll jump ahead and sum up my thoughts now: it was deeply disappointing and isn't something I plan to revisit.

Barker's influence is felt chiefly at the book's beginning, in its basic themes and initial mysteries, and in how it incorporates notions of sexual desire mixed with esoteric experimentation, exploring how a hungering lust for new  experiences can open doorways to darker realms.

The Unholy (1988)

The Unholy (1988)

Dir. Camilo Vila

A blind-buy for me that turned out to be a lot of supernatural fun. It stars Ben Cross as a Priest named Michael who gets appointed to a New Orleans parish that has been closed for a few years, for reasons that are shown in the movie's opening scene but which I won't spoil.

Inside the church is an evil presence that strives to influence the newcomer, but Father Michael is determined to resist. Yes, it's another tale of Good vs Evil, Heaven vs Hell, etc, happening on Earth, naturally, because that's where that kind of shit nearly always goes down. 

There's often a trade-off in 1980s supernatural movies — such as good FX but bad acting, or good direction ruined by bad editing — but The Unholy does well right across the board.

Ju-on: Origins (2020)

Ju-on: Origins (2020)

Dir. Shô Miyake | 6 episodes, approx 29 mins each.

Despite the title, Origins isn't a prequel to the previous Ju-On films. Rather, it presents itself as something that's 'inspired by real events'.

Presumably, that's the same 'real' events that the original films were based on, which were dreamt up by Japanese filmmaker Takashi Shimizu.

The series also makes the claim that its story is "far more frightening than the movies" were.

The first falsehood enables it to benefit from the groundwork and reputation of Shimizu's works without being wholly tied to them, while simultaneously implying a level of spurious credibility by suggesting that it's more factual - more 'real world' and less 'fantasy' horror.

With regards the second half of the claim, and keeping in mind that fear is as subjective as humour, nothing in Origins came close to the horror of Ju-On: The Grudge (2002). The horror in Origins is more shock value grotesqueness than spine-chillingly supernatural happenings.

Ju-On: Films (2000-15)

Ju-On: Films (2000-15)

Dirs. Various

Ju-On's debut on screen was in 1998 as two short films created, written, and directed by Takashi Shimizu. Together they made up one half of a TV Movie named Gakkō no kaidan G (1998), but I'll be skipping those and going direct to the feature-length movies that followed. (The shorts are titled Katasumi and 4444444444, if you wish to research further.)

It might seem like the wrong approach to take, but it's not necessary to have seen them to enjoy what came after. Furthermore, the order below isn't even the one that I experienced them on first viewing, thanks to how they were released in the UK at the time. [1]

01. Ju-On: The Curse (2000 / Dir. Takashi Shimizu) was the first feature-length entry in the series. A straight-to-video (V-Cinema) release that came out two years before the more successful cinema-released film (#3 below). In general, the setting is a haunted house that makes 112 Ocean Avenue (Amityville) seem about as scary as a Wendy house. [2]

Lifeforce (1985)

Lifeforce (1985) - International Cut

Dir. Tobe Hooper

Horror fans likely associate Tobe Hooper most with Texas and chainsaws, but sci-fi fans know him for naked space-vampires, too, which is Lifeforce (1985). It may not be universally hailed as a classic of the genre, but it sits comfortably on a list of cult films with practical effects that stand the test of time.

Based on a novel titled The Space Vampires (1976) by Colin Wilson, it's adapted to film by Dan O'Bannon. The first half is reminiscent of O'Bannon's work on another famous sci-fi film, namely Alien (1979), but, sadly, the second half loses focus and descends into a glorious mess. Your level of engagement at that time will greatly depend on whether or not you feel the 'glorious' things outshine the 'mess' things. I absolutely do feel that way.

The Earth Dies Screaming (1964)

The Earth Dies Screaming (1964)

Dir. Terence Fisher

Some sci-fi B-Movies from the 50s and 60s are like a subgenre unto themselves: one in which the title is the best thing about the entire production. The Earth Dies Screaming is a hell of good title — no doubt inspired by The Day the Earth Stood Still (1951) — but it's overwhelmingly misleading because the Earth itself is fine. Its inhabitants, on the other hand, aren't fine, but there's very little 'screaming' involved, which I'm grateful for. In fact, the movie opens with a prolonged eerie silence, reminiscent of a John Wyndham story.

It's a bold move to have no dialogue for so long, considering the entire movie lasts only 62 minutes, but it works and is arguably as good as it gets. Everything that follows is paradoxically less interesting by comparison.

The characters are basic, recognisable types, but function well enough, either as vehicles for social commentary and/or internal conflicts.

2000 AD: Mike Carey (1999—)

2000 AD: Mike Carey (1999—)

Author: Mike Carey | Illustrator: Various | Credits (to date): 25 Progs

I've featured quite a lot of author Mike Carey's comic work over the years. It's mostly been his output under DC's successful Vertigo imprint. I bypassed his work for 2000 AD because the quality is variable, but I'm filling that gap now.

Besides a few Future Shock-esque anthology pieces, he co-created two original series for the magazine: Carver Hale and Thirteen, both of which received a standalone collected edition.

01. Before I get to those, his first published work in the magazine was a one-shot under the Pulp Sci-Fi banner, titled Eggs is Eggs in Prog 1145 (1999), with Cliff Robinson (artist), Chris Blythe (colourist), and Annie Parkhouse (letterer), later reprinted in a Judge Dredd Megazine supplement (#296, March 2010).

Dark Water (2005)

Dark Water (2005)

Dir. Walter Salles

Struggling mother Dahlia (Jennifer Connelly) moves into a dingy apartment in Roosevelt Island with her young daughter Cecilia (Ariel Gade). The building has seen better days, but the recurring dark splodge in one corner of the child's bedroom ceiling may point to something more malevolent than leaky pipes.

Dir. Walter Salles didn't make a lazy US by-the-numbers horror film, which was a pleasant surprise, and nor did he simply replicate Hideo Nakata's superior 2002 film version wholesale, but there's no passion in any of it, perhaps least of all in Connolly.

The Manhattan setting is a clever nod to the 'island' backdrop that's relevant to many Japanese works, and attempting to tether a meaningfully sombre tone to the original story's psychological one was interesting, but ultimately it's just boring. It's also devoid of scares, which I don't think was intentional.

The Wicker Man: Novel (1978)

The Wicker Man (1978)

Authors: Robin Hardy and Anthony Shaffer | Page Count: 285

The phrase 'never judge a book by its movie' is generally applied one way, to defend a good book from the damage done to its reputation by a bad movie, but sometimes the opposite perspective is needed. Judging by how good The Wicker Man (1973) film is, I imagined the book to be at least equal in terms of impact, given that it's written by the film's director, Robin Hardy, and uses much of the dialogue from Anthony Shaffer's excellent screenplay verbatim. I've only myself to blame for that assumption not panning out as hoped.

The protagonist is Police Sergeant Neil Howie. On the surface he's an honest, steadfast Episcopalian Christian respectful of the laws of man and God.

Beneath that he's forceful and secretly judgemental of others. It's possible to view him as a haughty zealot who's quick to strike down those who challenge his beliefs, but that's only half the story. Deeper still, hidden from the world, he's inexperienced and fearful of his own desires.

The Ring: US Movies (2002—)

01. The Ring (2002)

Dir. Gore Verbinski

An English language remake of Dir. Hideo Nakata's Japanese language adaptation of Koji Suzuki's popular Ring novel (1991). It's good that horror fans who are unable to read or who simply don't like foreign films can experience the story, but, alas, they'll be getting a much weaker version of it, I feel.

I've known some people who've seen both and favour Verbinski's version, but I can't fathom why. It's not terrible, but it's pretty dull by comparison. That's mostly what Part 01 of this post will be, a comparison, not a standard review, so there'll be unreserved SPOILERS for BOTH versions. Please bear that in mind if you choose to read it.

Sadako (2019)

Sadako (2019)

Dir. Hideo Nakata

The Japanese Ring movies may be thematically similar but they aren't all part of the same in-world continuity. There's two separate lines, one that follows on from Hideo Nakata's Ring (1998), and one that follows from Jōji Iida's Rasen (1998). [1]

Naturally, Nakata's return to the franchise follows on from the one he established, which means it's advisable to have seen Ring and Ring 2 (1999) before seeing Sadako.

There's some parallels with the structure of the first film, although it won't be apparent for quite some time. But the story isn't memorable and the characters aren't very interesting. Its most accomplished scene is arguably a 'slow zoom with dialogue' moment that protagonist Mayu Akikawa (Elaiza Ikeda) shares with Masami Kurahashi (Hitomi Satô), the latter of whom is one of the few things that connects the work to Nakata's previous films.