Ninja Scroll (1993)

Ninja Scroll (1993)

Dir. Yoshiaki Kawajiri

I don't understand why Ninja Scroll is so named. It has a ninja — actually, it has lots of ninjas — but what's the scroll part about? Fuctifino. But what I know for certain is that when it comes to 90s era anime movies, NS is a classic. I've watched it a dozen times over the years and it impresses me every time. It isn't packed with plot like, for example, Akira (1988) or Ghost in the Shell (1995) are, but it has a visceral quality that many of its genre imitators failed to capture. [1]

Somehow, the historical setting enhances the fantastical elements, even though logic says they ought to be at odds with each other. A similar kind of complementary contrariety surrounds the two main characters: a skilled swordsman named Jubei, and a female Kōga ninja named Kagero, who has a special, hidden, devastating talent.

The villains, known as the Eight Devils of Kimon, are a peculiar bunch of freaks with unusual powers, and are all the more memorable for it.

The Martian Chronicles: The Authorized Adaptation (2011)

The Martian Chronicles: The Authorized Adaptation (2011)

Author: Ray Bradbury | Illustrators: Dennis Calero / Joe St. Pierre / Josh Adams / James Smith | Page Count: 160

"All the things which had uses. All the mountains which had names. We'll give them new names, but the old names are there, somewhere in time..."

A comic book adaptation of one of Bradbury's most famous works. I'm not going to give a synopsis of story or outline specific themes because I've covered the novel previously. This is about the comic version only, and it'll be brief because I wouldn't recommend a reading to anyone who isn't a huge Bradbury fan.

The book contains an introduction for those that haven't read the source text, from the author himself, detailing the genesis of the original novel, which is vital information if you're to understand the passage of time and the contradictions in some of the stories.

What it neglects to mention, however, is that the adaptation is incomplete. It wouldn't have been possible to fit every story into the limited page count, but some of the exclusions are essential and defining parts of the overall work and their removal weakens it, unquestionably. For those that care, the omissions are listed below the cut:

Chocky Trilogy: TV Miniseries (1984-86)

Chocky Trilogy: TV Miniseries (1984-86)

01. Chocky (1984) | 6 eps, approx 25 mins each is a children's TV drama adapted from the 1968 novel of the same name by John Wyndham.

The series is set in 1980s Britain, and features a young boy named Matthew Gore (Andrew Ellams) who's contacted by the titular Chocky, a highly intelligent extra-terrestrial being.

Chocky speaks only to Matthew, using him to ask unusual questions of the adults. The change in his behaviour soon draws attention to the boy.

I first watched it as a child myself, of about ten or eleven-years-old. It was intriguing and somewhat frightening, and because of that combination it stayed in my memory as I grew older. Since then I've assimilated so much sci-fi that the basic concept no longer seems particularly fresh, but viewing it from an adult perspective, sympathising for the first time with the parents of young Matthew as well as Matthew himself, gave me a whole different insight into what the series was actually about.

Lone Wolf and Cub: Omnibus Editions (2013-16)

LW+C: Omnibus Editions (2013-16)

Author: Kazuo Koike | Illustrator: Goseki Kojima | Page Count: LOTS! [1]

"Good fortune and ill, twisted together like a rope..."

The Railway Children (1970)

The Railway Children (1970)

Dir. Lionel Jeffries

Children's Classics - each generation will find qualifying examples from its own era, but some stories are rediscovered time and again.

In Britain The Railway Children, based on Edith Nesbit's 1906 novel, is an enduring classic from yesteryear that never goes away; nor would I want it to. Set in Edwardian times, it's about a mother (Dinah Sheridan) and her three privileged "suburban children", Roberta, Phyllis, and Peter.

They're forced to move from their comfortable townhouse to a country villa in Yorkshire and live a poor life, without a father. Whilst there, they befriend a proud but kind-hearted station porter named Mr Perks (Bernard Cribbins). 

It's simple in construction but remains as welcome and warming today as it was all those decades ago. The lesson that kindness isn't dependent on social status or material riches is perfectly woven into every relevant part. The ending is a little mawkish, but the journey toward it is direct and smooth, like the train tracks that carry the focus of the faithful children's good nature into their collective midst.

Bathory: Albums (1988-91)

Bathory: Albums (1988-91)

I once heard someone describe the Blood Fire Death (1988) album as a collection of quality songs. The description is certainly valid, but it's also a vast understatement of the truth. BFD is a ground-breaking, momentous human achievement, the importance of which cannot be overstressed. Like the eponymous début album, it delivered something unprecedented that made everyone else sit up and take notice.

The thundering intro, the use of acoustics, the Viking symbolism, the choirs, the cleaner vocals, the pounding drums, the torturing wail of the electric guitars, the Pure Fucking Armageddon heaviness of it all was something that the world hadn't experienced before. In short, it changed the face of metal and made Quorthon a living legend.

The Enshitificatian Continues...

For future me - a marker I can see without being signed in. Now with illustrative cat.

4th Quarter 2025 🐫