Something Wicked This Way Comes: Authorized Adaptation (2011)

SWTWC: The Authorized Adaptation (2011)

Author: Ray Bradbury | Illustrator: Ron Wimberly | Page Count: 144

'She was blind, yes, but special blind. Just as they felt that balloon sift down like an autumn rain, so she could feel their souls. Each soul, a vast warm fingerprint.'

A comic book adaptation of Ray Bradbury's novel. I reviewed it a decade ago (HERE), so I won't go over the plot again. I'll focus solely on whether or not I feel the adaptation is successful. The short answer is yes, it mostly is. It retains a lot more descriptive language than is normal for a graphic novel, but that's a good thing because that's where the magic really happens in Bradbury's prose. His worldbuilding is often more beautifully realised than his dialogue.

The narrative accentuates the differences in the two boys more than the novel did, but that was necessary so that the second half of the story could do its job properly in a shorter space of time.

Scream!: The Specials 1985-2024 (2025)

Scream!: The Specials 1985-2024 (2025)

Author + Illustrators: Various (Too numerous to mention here. See CREATOR INFO at the bottom of the page for full list of known names.) | Page Count: 400

'It was three o'clock in the morning and Billy Billings was having his nightmare again... Only it wasn't a nightmare any more, it was real!'

A companion volume to 40 Years of Scream!: The Archival Collection (2024) that collects together much of the post-cancellation Holiday Specials, including those from the revived era (2017-24).

Slightly more than half of the book is vintage content from 1985-89. The reminder reprints everything Scream! related from 2017-24. See footnotes for a full list of what's included. [1]

It makes my day to see the 1980s specials get a second life, but it's not as complete as it could've been. I'm not trying to deter anyone from buying it, but I feel it's important to note certain details.

Supernatural: Season 06 (2011)

Supernatural: Season 06 (2011)

22 episodes, approx 42 mins each.

As mentioned in the Season 05 post, series creator Eric Kripke stepped down as showrunner after the show's fifth year. His successor was Sera Gamble, a long-time writer, story editor, and respected producer of the show. Her history with the Winchesters goes in her favour, but Season 06 is, on balance, a weak continuation.

Each of the three primaries have their role to play in the main story arcs, with each one impacting the others by varying degrees that are equal parts useful and / or contrived.

Without going into spoiler territory, the arcs revolve around a radical change in Sam's personality, Castiel's new plan, and problems for Dean in his newly found 'apple-pie' life.

Supernatural: Season 05 (2010)

Supernatural: Season 05 (2010)

22 episodes, approx 42 mins each.

It's advisable to skip the recaps that precede each episode of Supernatural because the footage used is more often than not a spoiler for which character(s) will appear, which ruins any carefully plotted surprise reveal that may be present, but given that it's been five years since I finished Season 04, it was a necessary evil that I watch them... and yes, it spoiled the surprise almost every time.

The theme for Season 05 is Apocalypse, which follows on from how the previous year ended. In context, that relates mostly to the prophecies of the 'end times' that have been divined from the Revelations part of the Christian Bible; i.e., the non-boring chapter. If Sam and Dean can't put a stop to the coming storm, the world will go all to hell.

Sonatine (1993)

Sonatine (1993)

Dir. Takeshi Kitano

Another great Takeshi Kitano film, again written, directed, edited by, and starring the Japanese auteur. He plays a mid-level Yakuza member named Murakawa who isn't afraid to speak out against his peers, when he speaks at all, that is. He communicates only when he feels it necessary, distanced from the bravado and bluster associated with the role.

Under orders from his superior, he dutifully but begrudgingly joins a small group that's sent to Okinawa to aid a dispute between clan allies. Whilst there, they end up with some free time on their hands. What do city Yakuza do at a beach town when they get bored?  Not what you'd expect, perhaps.

Violence and absurd hilarity trade places in some typically Kitano moments and the emotional heart of the film surfaces and hits hard. It's not a comedy, don't misunderstand, but there are some subjectively piss-inducing funny events. Music is again by Joe Hisaishi and does an equally fine job at characterising.

40 Years of Scream!: The Archival Collection (2024)

40 Years of Scream!: The Archival Collection (2024)

Authors: Various (inc. Alan Grant / Alan Moore / Gerry Finley-Day / John Wagner / Simon Furman | Artists: Various (inc. Brendan McCarthy / Cam Kennedy / Eric Bradbury / Jesus Redondo / José Ortiz / Mike Western) | Page Count: 464

'A torturous approval system was imposed, where pages thought editorially sound had to pass four further levels of oversight...'

Rebellion, current owners of 2000 AD and its associated media, would publish the instructions from a toilet roll if they thought they could make money from it, and then within a year or two probably republish it as part of a themed anthology, perhaps with the ingredients of some liquid hand soap to bulk out the page count, and some adverts for other upcoming collections.

On the flip side, they're rescuing some classic-era works from virtual obscurity via their Treasury of British Comics imprint and giving them a new, vibrant life on higher quality paper stock than most ever would've been given back in the day.

Strings (2004)

Strings (2004)

Dir. Anders Rønnow Klarlund

There's a theory among wordsmiths that all stories that can be told have already been told and all we can do now is find new ways of telling.

The story in Strings isn't unique, but the telling is interesting. It's a fantasy movie about a world divided, acted out by puppets with visible strings. They're visible for a reason: they're a part of the world. If your Head-String is cut you die.

The puppeteers manage to elicit a lot of believable emotion out of the sculpted characters; they're less wooden than many Hollywood actors.

The imagination and sense of wonder on display is magical. Unfortunately, I only had the English language version available, otherwise I might've enjoyed it even more than I already did.

Spawn: The Movie - Comic Book Adaptation (1997)

Spawn: The Movie (1997)

Adaptation: Ted Adams (from an original story by Mark Dippé + Alan McElroy) | Artist: Carlos D'Anda | Page Count:48

"Each time you go out there, you come back a little more dead inside."

A comic book adaptation of the Spawn movie that in some ways is better than the shit that spawned it.

The first few pages tell of the ongoing battle between Heaven and Hell, and how a demon named Malebolgia requires a leader for his army on Earth, which is where our antihero Al Simmons comes in. A black ops killer for a shady organisation, Al develops something akin to a conscience and begins to lose control of his life.

At just 48 pages it moves stupid-fast, like a Marvel comic from the 90s, leaving a lot of potentially interesting stuff underdeveloped; e.g., the quote above foreshadows a deeply ironic quality that's barely touched upon, and we get no time to know Al before he's thrust into his second life, so the contrast is lost.

Terry and Wanda get even less characterisation. Wynn is a cookie cutter egomaniac, while Cagliostro, who seems to come from nowhere, functions as a standard 'exposition' guy.

Stray Cat Rock: Films (1970)

Stray Cat Rock: Films (1970-71)

Dirs. Yasuharu Hasebe / Toshiya Fujita

There are five movies in Nikkatsu's Stray Cat Rock / Alleycat Rock series, but they aren't connected in any meaningful way other than being thematically similar and each one having actress Meiko Kaji in a lead role.

In the first, 01. Stray Cat Rock: Delinquent Girl Boss (1970 / Dir. Yasuharu Hasebe) a group of street-savvy women, really just 'chicks' with knives and razor blades, fight for a purpose when a sukeban (delinquent girl) rides into town and provides guidance.

It's interesting seeing the traditional roles of the sexes reversed in a 70s setting, and exploring how rules are applied and disregarded in the contrasting arenas of the street and the boxing ring, but, ultimately, Delinquent Girl Boss is 80+ minutes of style over substance played out to a soundtrack of funky jazz and psychedelic rock. If Dir. Hasebe had further indulged his willingness to explore a film frame's role in the telling of a story, then things might've been better.

Star Trek: Picard - Season One (2020)

Star Trek: Picard - Season One (2020)

10 episodes, approx 44-55 minutes each.

Firstly, the important date stuff: it's set in the year 2399, which is twenty years after the tragic loss in ST: Nemesis (2002). We're told that Admiral Jean-Luc Picard (Patrick Stewart) has been retired from Starfleet for fourteen of those years. No longer trotting through the stars on impressive starships, he resides now at Chateau Picard, overseeing the family business. [1]

Visually, it's modern sci-fi, which means it's darkly lit, has glary lens flare (real and CGI), and periodically weighs every happy moment down with a semi-dystopian undertone. As someone who loves the bright, futuristic, optimistic look of The Next Generation era of Star Trek, it's an affront to my eyes on almost every level. Even so, I watched all 10 episodes, because there was room in my life for more Picard adventuring.

Serial Experiments Lain (1998)

Serial Experiments Lain (1998)

Dir. Ryūtarō Nakamura | 13 episodes, approx 24 minutes each.

Lain Iwakura is small for her age. She's reserved, quiet, and emotionally inexperienced. She has a small group of friends but their connection is tenuous, based more on shared location than on similar interests. That's the nature of the world in which Lain exists.

But there's more than one reality; the real world exists alongside the Wired. Among other things, the Wired is a network that allows communication between distant parties. It connects the individual to other individuals and enables information to be passed along. The synergy between the two existences has a profound maturing effect on the young Lain.

I've watched the series more than once and I'm positive there are things in it that I still haven't found. It's densely packed with subtleties and philosophical concepts. Where do we go when we die? How do we know we're alive? Did God create us? If so, then who created God?

Star Trek: The Official Motion Picture Adaptation (2010)

Star Trek: The Official MP Adaptation (2010)

Authors: Mike Johnson / Tim Jones (from a script by Robert Orci + Alex Kurtzman) | Illustrators: David Messina / Claudia Balboni | Page Count: 147

"Where I'm from, when someone hits you, you hit back. How is that not logical?"

A  tattooed Romulan group in an inexplicably heavily armed mining vessel attack a Federation starship. It's during that encounter that for the 2009 reboot of Star Trek a number of important plot threads are born.

It then skips some years and enters the 'establishing character' introduction phase of the story, showing how two of its main protagonists respond to differing situations according to their individual natures.

Both are rebellious and far removed from the men we know them to become in established TOS continuity; e.g., the youthful James Kirk steals, is rude, cocky, knowingly sexist, directionless and fights in bars.

He's an arrogant prick, basically, but he's presented that way for a reason, serving as both a contrast and exhibiting a foundational attitude that can be used to gain an advantage in future exploits.

Superman: The Animated Series (1996-2000)

Superman: TAS (1996-2000)

Dirs. Various | 54 episodes (split over 3 seasons), approx 22 mins each [1]

Conceived and produced by many of the same creative team that made Batman: TAS (1992–95) so good, Superman's animated series looked familiar but also different.

Metropolis is much brighter than Gotham, with a different kind of art deco influence, one more inspired by Streamline Moderne. 

Giving each city its own visual identity is a positive change, but the less textured aesthetic of Metropolis looks unintentionally cheap and sparse by comparison.

Likewise, and the first indication that what you're watching might be a step down in quality, the opening credits, which are a montage of episode scenes in roughly chronological order, feel tawdry and lazy compared to the dramatic excellence of Batman's. Superman's are spoilery, too, for anyone who's not seen the series before. And subjectively speaking, Shirley Walker's accompanying theme music is also less memorable.

Sadako (2019)

Sadako (2019)

Dir. Hideo Nakata

The Japanese Ring movies may be thematically similar but they aren't all part of the same in-world continuity. There's two separate lines, one that follows on from Hideo Nakata's Ring (1998), and one that follows from Jōji Iida's Rasen (1998). [1]

Naturally, Nakata's return to the franchise follows on from the one he established, which means it's advisable to have seen Ring and Ring 2 (1999) before seeing Sadako.

There's some parallels with the structure of the first film, although it won't be apparent for quite some time. But the story isn't memorable and the characters aren't very interesting. Its most accomplished scene is arguably a 'slow zoom with dialogue' moment that protagonist Mayu Akikawa (Elaiza Ikeda) shares with Masami Kurahashi (Hitomi Satô), the latter of whom is one of the few things that connects the work to Nakata's previous films.

Sadako vs. Kayako (2016)

Sadako vs. Kayako (2016)

Dir. Kōji Shiraishi

A crossover of the Japanese Ring and Ju-On franchises that was teased as an April Fool's joke the year before it was released. I'm sure that I'm not alone in thinking it should've stayed a joke - although, while I'm on the subject of such things, does anyone actually like April Fools on the internet? It's fake news. Why is that a good thing?

SvK, however, turned out not to be fake, which is the most praise I can give it, having now seen it. It's getting its own post only because it doesn't fit canonically in any of the other Ring or Ju-On posts that I've made. It's its own thing with its own rules, so can be completely ignored if you choose to, even if you're a fan of the two things that it brings together. You can safely put FoMO to bed.

Sadako 3D + Sadako 3D 2 (2012-13)

Sadako 3D (2012)

Dir. Tsutomu Hanabusa

A Ring Cycle movie revival based on author Koji Suzuki's novel, S (2012). I've not read it, so can't comment on how faithful the film is or isn't.

A new cursed video is uploaded to the internet, meaning every PC, laptop, tablet, phone, etc, offers a possible entry point for Sadako's return.

It sounds like a natural progression of what came before, but whereas Nakata's first two films were mature horror that made me soil myself, Sadako 3D is teen horror that made me yawn and check my watch periodically.

Silent Hill type creatures work just fine in a Silent Hill setting, but in Ring's world they were ridiculous. The only saving grace was Satomi Ishihara, who deserved to be in a better movie.

Spawn: Director's Cut (1997)

Spawn: Director's Cut (1997)

Dir. Mark A.Z. Dippé

Even after making the usual allowances in all but story for a B-Movie production, Spawn's live action introduction is still a bag of shit.

A voiceover and montage provide some groundwork for folks who didn't read the comic book before suffering the movie, but it feels more like a rushed afterthought, a quick fix for an overlooked necessity.

Many of the events in lead character Al's life are taken directly from the comics: he's an assassin for the US government; he has a partner but no children; he makes a Faustian deal without giving it much thought, etc. The pact with Hell means we needed the clown to be there, too, but he's an insufferable turd that further sullies every scene he's in.

Stephen King's Kingdom Hospital (2004)

Stephen King's Kingdom Hospital (2004)

aka Kingdom Hospital
Dir. Craig R. Baxley | 13 episodes, approx 40 mins each (01 and 13 are double length).

American horror author Stephen King took Danish film-maker Lars von Trier's eight episode miniseries, known originally as Riget (1994), and turned it into a thirteen episode English language series, relocated from Copenhagen to Lewiston, Maine (naturally).

There are probably many more changes, but I've not seen the original, so I can't say what they might be.

Von Trier shares an executive producer credit, suggesting he was agreeable to the adaptation, or at the very least happy to whore the concept out.

Peter Rickman (Jack Coleman), the person that we'd traditionally most readily identify as the main protagonist, is admitted to the titular hospital after a serious accident. An accident, incidentally, that mimics King's own hospitalisation almost verbatim; although I suspect the talking anteater is a fiction.

The Sandman Presents: Thessaly - Witch for Hire (2005)

Thessaly - Witch for Hire (2005)

Author: Bill Willingham | Illustrator: Shawn McManus | Page Count: 96

"Anything that exits can be destroyed in some way. It's just a matter of finding the right sprig of mistletoe."

Witch for Hire picks up the story of the last of the Thessalian witches two years after the end of The Thessaliad (2002), a four-issue miniseries that you can also find collected in the Taller Tales (2003) TPB.

If you haven't read the previous adventure, there's some catch-up text at the beginning to get you up to speed.

If you have read it, you'll maybe remember the big unanswered question surrounding the main supporting character. Bill Willingham expands upon that aspect.

Fetch is back, like a bad smell carried by an ill-wind, with a complement of ideas above his station (his station being that he's dead - that's not a spoiler).

The Sword and the Sorcerer (1982)

The Sword and the Sorcerer (1982)

Dir. Albert Pyun

'It's Sword and Sorcery time!' said my brain when I sat down one Tuesday in October to pick a movie. And lo! It sure as hell was. And I did rejoice.

The story is standard fare, for the most part, with a youth who grows into a formidable warrior (Lee Horsley) after witnessing the murder of his loved ones at the hands of an evil rival (Richard Lynch). As fate and cliché would have it, years later the orphaned swordsman gets an opportunity to exact revenge for the heinous deed, in heroic fashion.

The FX are great, the dialogue is corny — the fanciful v/o narration especially so — and the action is decent. Its biggest gimmick is the hero's tricksy sword, which might make even a Final Fantasy video game character a little envious.

It's 'stupid good' fun for a fan of the genre. But like most such pictures, I don't think it would hold the full attention of anyone who doesn't identify with that particular noun.

NOTE: the promised sequel did eventually appear, albeit almost three decades later, in the form of Tales of an Ancient Empire (2010), starring Kevin Sorbo. I watched the trailer. It looks shit.