Jacob's Ladder (1990)

Jacob's Ladder (1990)

Dir. Adrian Lyne

Jacob's Ladder has never had a poster or home release cover that did it justice, on any medium, so I chose the image that I consider to be most iconic. It was used to promote the film in UK Video Stores, and is the one that I had taped to my wardrobe door for many years as a teenager.

It doesn't give any real indication of what the story is about, but, after viewing, you'll maybe agree that it does at least capture the tone of the film's more unsettling, thematically dark moments.

I'm deeply sympathetic to whoever initially chose it because I now find myself wanting to convey why I feel the film excels in its genre, but also want to avoid providing info to anyone who hasn't seen it, because a first viewing is best experienced with as little foreknowledge as possible.

It's a psychological horror in which a Vietnam vet named Jacob (Tim Robbins) struggles with fragmented memories of at least two traumatic events: one that occurred before the war, and one that occurred during it.

Judge Dredd: The Movie - Comicbook Adaptation (2025)

Judge Dredd: The Movie - 30th Anni Ed (2025)

Author: Andrew Helfer (based on a screenplay by William Wisher Jr + Steve E. de Souza) | Illustrator: Carlos Ezquerra | Page Count: 80 [1]

NOTE: this post contains spoilers for the Judge Dredd (1995) movie directed by Danny Cannon.

Thirty years after the first Judge Dredd movie took a giant Flesh-sized shit on the franchise that inspired it, its comicbook adaptation got reissued. Why should anyone care? For one good reason: because it was illustrated throughout by Carlos Ezquerra.

Not the cover art - that's by Dermot Power and is the only time it really looks like Sylvester Stallone.

For reasons that I don't know but are probably to do with licensing and/or Hollywood egos, the interior art wasn't allowed to use Stallone's likeness.

But that turns out to be a good thing. The first 4 pages are particularity great. The Judge uniforms and Lawmasters are movie-specific, but otherwise the linework, angles, and colours all work together to make it feel like a proper Ezquerra 2000 AD strip. It's easy to imagine that the city and its people will feel similarly. But then Dredd appears in full on Page 5 and the illusion begins to crack... 🙁

Jeff Wayne's Musical version of TWotW: TNG (2013)

Jeff Wayne's Musical Version of TWotW: The New Generation: Alive from the 02 (2013)

Dir. Nick Morris | London 02 Arena, ?? December, 2012

Didn't I review this already, just last month? Nope. That was the Richard Burton-head on a dangling egg version. This is the Liam Neeson semi-transparent '3D holo-gimmick' version.

As before, it's a live performance of Wayne's musical adaptation of H.G. Wells' The War of the Worlds novel featuring The Black Smoke Band and the ULLAdubULLA Strings orchestra, with a large cinema screen behind them onto which is projected a mix of pre-recorded footage and CGI animation. But there are a few differences:

The CGI is better; the towering tripod ship now shoots fire; and it was recast to appeal specifically to a 'younger audience'; that last part put my 'older audience' mind on the alert. [1]

'Wayne wouldn't extend that train of thought to the music, would he?' I pondered. 'For the love of all that stands on three legs, he wouldn't mess with a classic formula just for 'younger audience' recognition, right?' But he did. Damn, he did.

Jeff Wayne's Musical Version of TWotW: Alive on Stage (2006)

Jeff Wayne's Musical Version of TWotW: Alive on Stage (2006)

Dir. David Mallet | Filmed at Wembley Arena, 25th April, 2006.

A live stage production of Wayne's adaptation, featuring actors / performers, a full band, and a small orchestra conducted by Wayne himself.

It begins with a v/o by the Martians, all of whom are fluent in the English language. It'll be helpful to anyone not already familiar with the album or original story, but it's not something that I enjoyed, personally. For me, the true beginning is when the Richard Burton narration comes in:

"No one would have believed, in the last years of the 19th Century, that human affairs were being watched from the timeless worlds of space..."

Speaking of Burton, the production features a weird, disembodied projection of the actor's head, floating high above the 'stage right' side.

Jeff Wayne's Musical Version of The War of the Worlds (1978)

Jeff Wayne's Musical Version of The WotW (1978)

I don't personally regard every song on Jeff Wayne's début concept album to be perfect in itself, but when considered as a whole I feel it's a masterpiece of adaptation, design (including artwork) and aural joy. It's an album I've loved for 30+ years.

Actor Richard Burton narrates the story, based on H. G. Wells' famous 1898 novel; his euphonious baritones are perfectly suited to the work.

Completing the magic are a String and Prog Rock accompaniment, together creating a sweeping aura that carries the listener on a stirring, emotional journey. The changes in tone and dramatic intensity move it seamlessly from ominous to propitious, from elation to woe, all the while able to satisfy people in search of storytelling just as much as people in search of music. It's a work of art that's rich in imagery, content, and 1970s style.

Ju-on: Origins (2020)

Ju-on: Origins (2020)

Dir. Shô Miyake | 6 episodes, approx 29 mins each.

Despite the title, Origins isn't a prequel to the previous Ju-On films. Rather, it presents itself as something that's 'inspired by real events'.

Presumably, that's the same 'real' events that the original films were based on, which were dreamt up by Japanese filmmaker Takashi Shimizu.

The series also makes the claim that its story is "far more frightening than the movies" were.

The first falsehood enables it to benefit from the groundwork and reputation of Shimizu's works without being wholly tied to them, while simultaneously implying a level of spurious credibility by suggesting that it's more factual - more 'real world' and less 'fantasy' horror.

With regards the second half of the claim, and keeping in mind that fear is as subjective as humour, nothing in Origins came close to the horror of Ju-On: The Grudge (2002). The horror in Origins is more shock value grotesqueness than spine-chillingly supernatural happenings.

Ju-On: Films (2000-15)

Ju-On: Films (2000-15)

Dirs. Various

Ju-On's debut on screen was in 1998 as two short films created, written, and directed by Takashi Shimizu. Together they made up one half of a TV Movie named Gakkō no kaidan G (1998), but I'll be skipping those and going direct to the feature-length movies that followed. (The shorts are titled Katasumi and 4444444444, if you wish to research further.)

It might seem like the wrong approach to take, but it's not necessary to have seen them to enjoy what came after. Furthermore, the order below isn't even the one that I experienced them on first viewing, thanks to how they were released in the UK at the time. [1]

01. Ju-On: The Curse (2000 / Dir. Takashi Shimizu) was the first feature-length entry in the series. A straight-to-video (V-Cinema) release that came out two years before the more successful cinema-released film (#3 below). In general, the setting is a haunted house that makes 112 Ocean Avenue (Amityville) seem about as scary as a Wendy house. [2]

James Bond: Timothy Dalton (1987-89)

The Living Daylights (1987)

Dir. John Glen

In all probability this'll be the last James Bond movie post that I make, unless it comes down to the only Christopher Lee film I've not written about is the Bond one that he co-starred in. But that's damned unlikely, considering he's got 278 credits on IMDB and I'd sooner watch the 277 in which he doesn't have a supernumerary nipple.

I digress; I'm here to talk about Timothy Dalton. I mean no disrespect when I say that Dalton's Bond doesn't have the same level of sex appeal as Sean Connery's. Very few men do. On the plus side he doesn't have the same kind of 'charm' as Moore's. No, instead Dalton brings a moodiness to the role, and a sense of daring that the others had less of.

There's a feeling that he's worked hard to earn his 007 Licence, whereas for the others it came easy.

Judge Dredd (1995)

Judge Dredd (1995)

Dir. Danny Cannon

Stallone appears with jutting chin and less than nine minutes later the helmet comes off. It ceases to be a Judge Dredd film and instead becomes a Sly film with a comedy sidekick. There's a decent amount of plot squeezed into the running time (96 mins), but it's full of inconsistencies and stupid one-liners.

To be fair, it's not all bad. Mega-City One was interesting, some of the Council of Chief Judges were good (especially McGruder) and the addition of Hershey was a nice touch, or it would've been if she'd not been there simply to hang some hurried plot advancements on.

If you somehow make it to the end of the movie you'll witness the worst part. Even Walter the Wobot would be appalled.

Jeffrey Lewis: 12 Crass Songs (2007)

Jeffrey Lewis: 12 Crass Songs (2007)

Anarchic British punk band CRASS covered by an American in a mostly acoustic indie (anti)folk style. It's an odd paring but it works well, probably in part because punk is a feeling as much as a genre of music. Acoustic guitar, vocals, bongo drums and piano married to punk sensibilities and scathing lyrics make it one of the more unique albums in my collection.

There are times when it reminds me of primary school sing-a-longs, but that just adds to the experience - picturing the songs in an educational setting makes a kind of sense, and suggests an extra layer of unity.

The songs are the same, you'll recognise them instantly if you're at all familiar with the originals. There's an occasional lyric change but nothing disrespectful.

Jonathan Creek: Daemons' Roost (2016)

Jonathan Creek: Daemons' Roost (2016)

Dir. Sandy Johnson | 1 episode, approx 89 minutes.

The overly dramatic opening of Daemons' Roost is a loving nod to the classic British horror films made by Hammer Studios in the 50s, 60s, and 70s.

It seems odd in some ways, but also carries through into the main story; e.g. the taxi driver who's unwilling to drive up to the large house, like a movie coachman who's afraid to take travellers to the castle's gates.

When the "...tale of terror" ends the modem day mystery takes over, and for a time the story is significantly better than anything in series five.

Having not spoken to her stepfather (Ken Bones) in fifteen years, at his behest Alison (Georgie Lord) returns to the family home to finally discover what caused the deaths of her mother and sisters. But things go awry and Jonathan's talents are needed.

Jonathan Creek: Series V (2014)

Jonathan Creek: Series V (2014)

3 episodes, approx 58 minutes each.

Note: the following review contains spoilers for the previous JC outing, The Clue of the Savant's Thumb (2013). If you're as sensitive to spoilers as I am and haven’t watched the Savant's Thumb episode, it would be advisable to not read beyond this sentence.

The fifth series of the show is unusual for a number of reasons. Firstly, while there are a significant number of minor mysteries in need of solving, there's no mysterious deaths in any of the episodes, in a locked room or otherwise. Speaking of episodes, there's only three of them, not the usual six. And finally, at no point does Jonathan wear his trademark duffel coat, which is like asking us to accept Columbo without his raincoat, or Sherlock without his pipe.

If all of that wasn't bad enough, he's married still to Polly (Sarah Alexander). Not only does Polly's pissy attitude stand in the way of his doing what he does best, but the duo have zero chemistry. One wonders why they're together at all. There's no feeling of love or even affection. It's like a marriage of convenience, most of which is hers. When the character interjects it's usually to belittle or dissuade Jonathan (Alan Davies) from getting involved. She deadens the narrative flat.

Judge Dredd: America (2008)

Judge Dredd: America (2008)

Author: John Wagner | Illustrator: Colin MacNeil | Page Count: 144

'Somewhere along the way childhood ended. Ami and I were drifting apart. I watched it happening, hating it. Powerless to prevent it.'

America is regarded by many Judge Dredd fans as one of the best Big Meg stories ever written, and with good reason. It's a mature telling of a small but significant event in the Megacity's history.

If you join the dots over a longer period of time it can even be seen as a precursor to an eventual re-evaluation of the Judaical system itself.

From the story's first panelled page it's clear that what we're getting is a deeply personal confession suffused with tragedy and a sharp, painful remorse that even time hasn't dulled. It puts us on the alert and reminds us that notions of hope and change are a dangerous combination when paired.

Batman / Judge Dredd (1991-98)

Judgement on Gotham (1991)

Authors: John Wagner / Alan Grant | Artist: Simon Bisley | Page Count: 61

"I'm goin' into an uncontrollable butt frenzy!"

Picking Judgement on Gotham off a shelf in '91 was the most excited I've ever been for a ridiculous comic crossover event. Joe Dredd and Batman! Whoa!

I imagined the personality clash to be like two worlds colliding. Okay, it's not quite that good, but it's still pretty awesome and revisiting it again despite being twenty+ years older gave me a similar kind of joy.

In previous years Batman had faced some twisted minds in his own world, but he'd never encountered anything quite like Judge Death before. When the superfiend D-Jumps from Mega-City One to Gotham it's going to take more than a glimpse of a winged mammal suit to save the city from being Judddgggged.

You'll need to be a fan of both characters to get the most from it. Authors Wagner and Grant had more experience writing for Joe, and it shows. They don't do Batman an injustice, they capture his personality well and don't compromise his integrity, but when weighed out it's mostly Dredd's story. I'm perfectly okay with that, but it's worth mentioning in case you're here solely for Batsy.

Jonathan Creek: The Clue of the Savant's Thumb (2013)

Jonathan Creek: The Clue of the Savant's Thumb (2013)

Dir. David Renwick | Approx 89 minutes

Jonathan's life has changed. He's retired from the crime solving business, but seems ill at ease in his new role and awkward in his new clothes.

I accepted the changes without much affront, but one thing bugged me: where the hell is the windmill? I'd never move out of a windmill, not for anyone!

When a dead body turns up and mysteriously disappears from a locked room on the same day, Jonathan's curiosity is piqued. How could he resist?

Joey Ross (Sheridan Smith) is on hand to both complicate and help, in equal measure. I really like Sheridan and she doesn't disappoint in the role. Her chemistry with Alan Davies is good and her eagerness is only equalled by her sassiness.

Jonathan Creek: The Judas Tree (2010)

Jonathan Creek: The Judas Tree (2010)

Dir. David Renwick | Approx 93 minutes

The Judas Tree had Jonathan's spirited opposite, Joey Ross, return for another of the feature-length outings that kept the series sporadically alive for years after the regular weekly format ended. The unlikely duo investigate a macabre mystery involving a ghostly apparition and an unexplained death.

The Adam Klaus character is once again shoehorned into the story but it's less forced this time.

However, I did get the feeling more than once that creator/writer/director David Renwick was overcompensating for something by filling the story with multiple twists and turns, some of which ask the viewer to make some sizeable leaps of faith and logic. Perhaps the BBC's decision to chop the budget had him worried? To his credit, though, he managed to not let that aspect visibly weaken the production; it looks just as good as what he had delivered previously.

Jonathan Creek: The Grinning Man (2009)

Jonathan Creek: The Grinning Man (2009)

Dir. David Renwick | Approx 118 minutes

A feature-length adventure (of two whole hours!) that saw the wooly-haired sleuth return to our TV screens after a lengthy five-year absence.

It's written and directed by series creator David Renwick, so the quality is high. The only dip is with the inclusion of an entirely superfluous subplot featuring magician Adam Klaus. I mean no disrespect to actor Stuart Milligan, but it goes nowhere interesting and serves no purpose other than to give the character something to do; its removal would've strengthened the pace of the main plot considerably.

When last we saw JC he was being tormented by Carla Borrego (Julia Sawalha), but she's moved on to graze in pastures new. What is it with the women of the series? They never stick around for long enough.

Jonathan Creek: Series IV (2003-04)

Jonathan Creek: Series IV (2003-04)

6 episodes, approx 60 minutes each.

The first three series of JC can be seen as one collective era because they share the same two principal actors, Alan Davies and Caroline Quentin.

But Caroline chose not to return after Series III, which left a gap needing to be filled, because Jonathan's character needs an ancillary to bounce ideas off and to get (unintentional) inspiration from.

That gap was filled by Carla Borrego (Julia Sawalha) and, happily, Carla made the show even better. She's a wonderfully rounded character who brought a similar kind of resourcefulness and determination as Maddie had shown but with a whole new self-important attitude supporting it. She's sometimes vulnerable beneath the hard outer shell, but goes to great lengths to hide that fact from the world.

She got her introduction in the 2001 Christmas Special. It's not necessary to have seen it, but it's advisable because it shows the genesis of their relationship and helps explain the boundaries that exist from the offset in Series IV.

Jonathan Creek: Christmas Specials (2008)

Jonathan Creek: Christmas Specials (2008)

2 episodes, approx 90 minutes / 120 minutes, respectively.

There are more specials than what's included on this particular DVD release, but they weren't made until after its release (2008), so you'll either need to buy them separately if you want them or save yourself some cash and buy the recent 14-Disc Complete Collection (2017) box set - the latter isn't really a good option for me seeing as how I bought the individual releases in a more timely manner, so I'm reviewing them this way.

What you do get are two feature-length specials: Black Canary (1998), which takes place sometime between Series II and Series III, and Satan's Chimney (2001), which takes place sometime between Series III and Series IV.

There's two new characters introduced; one in each of the two episodes. Firstly, there's Gideon Pryke (Rik Mayall) in Black Canary. Gideon is Jonathan's equal in some ways. He didn't become a regular but does make a subsequent appearance in the show, and if things had worked out differently he could've been a great recurring addition. He's woven into a story that involves someone from Jonathan's past reappearing and, of course, needing a head-scratchingly complex murder mystery solved.

The Quentin Tarantino Collection (2011)

The Quentin Tarantino Collection (2011)

Number of discs: 6  |  Running Time: 625 minutes (combined)

I may get around to rewatching (or in some cases watching for the first time) QT's later films, or I may not, but until then have this, a collection of five features put out by Lions Gate Home Entertainment housed in a cheapo, flimsy cardboard box.

That's the actual box art on the right, with QT looking moody. Perhaps someone accused him of mass plagiarism prior to the photo being taken?

Every time I see it I wonder if it was a conscious decision not to have the cover art for the films in the order they were released or did someone screw up?

Of that order, the first two I'm very pleased to own, and if they weren't included I'd have bought them separately. The next one I'm mostly indifferent to. The final two I don't care for at all, even though I'm a fan of many of the things that inspired them.