Getting Any? (1995)

Getting Any? (1995)

Dir. Takeshi Kitano

Comedy doesn't always travel well, especially when many of the gags are reliant on cultural knowledge that a foreign audience may lack.

I'm in that bracket, so keep that in mind when I say the comedy is well-timed but just isn't funny. Its structure is little more than a series of absurd sketches loosely documenting a hopeless man's desire to have sex in a car, but first he needs a car. His leaps of logic in service of his lascivious goal make no sense, but perhaps that's part of the joke(?).

Along the way it parodies various other films, including Lone Wolf and Cub, Zatoichi, kaijū (specifically Mothra), The Fly (1986), and, bizarrely, Ghostbusters (1984), all of which are more enjoyable than Getting Any?.

My Cousin Vinny (1992)

My Cousin Vinny (1992)

Dir. Jonathan Lynn

MCV isn't bursting at the seams with plot, but it makes up for that in spades by having heaps of charm and characters worth caring about.

It’s a comedy about two young New Yorkers (Ralph Macchio and Mitchell Whitfield) who get their asses deep in trouble while driving through Alabama and end up needing a lawyer.

They get Vinny (Joe Pesci). He's a legal fish out of water, but he's got something to prove, so he throws his heart and soul into the work.

The cast are all excellent. Pesci is his usual self and perfect for the role. Marisa Tomei provides great support and tremendous sparkle. And seeing the wonderful Fred Gwynne without bolts in his neck is also a rare treat.

De Niro and De Palma: The Early Films (2018)

De Niro and De Palma: The Early Films (2018)

Dir. Brian De Palma (obviously).

When I plan to cover a sizable portion of a director's filmography, like I do with Brian De Palma, I prefer to start with the earliest one that I own and move forward chronologically. The pictured box set contains three such works. Each one also stars actor Robert De Niro.

01. Greetings (1968) is a satirical 'comedy' about three men trying to avoid getting drafted into the Vietnam War and is De Niro's first screen credit on a full-length feature film.

As a fan of the director's more dramatic works, from Sisters (1972) onwards, it was interesting to experience his developing working method and spot references to things that would evolve into career defining traits, but the film itself was a struggle for me to sit through.

The Pocket Book of Boosh (2009)

The Pocket Book of Boosh (2009)

Author: Various (inc. Noel Fielding & Julian Barratt) | Page Count: 304

"…prose so taught you can feel the veins."

If you liked The Mighty Boosh TV Series, then you'll probably like The Pocket Book of Boosh. Provided you like tie-in books and can read English text.

If you can't read, don't fret, there are pictures. It even has a comic book featuring Rudy and Spider.

The content is exactly the same as The Mighty Book of Boosh, which came first, and was bigger. This one came second, and is smaller.

I shit you not.

That's as complicated as it gets.

NOTE: You don't actually need to have pockets.

The Muppet Christmas Carol (1992)

The Muppet Christmas Carol (1992)

Dir. Brian Henson

It's a suitable for all-ages adaptation of Dickens' classic novella but with Muppets. I could end the review there because it's technically correct, but the film deserves so much more than that.

There's humans, too, most notably Michael Caine, who plays the misrely Ebenezer Scrooge, a man who hates kindness and the charitable feelings that traditionally go/went hand in hand with the season. Despite being surrounded by furry puppets, Caine plays it straight, which was absolutely the correct approach. Doing it that way kept the tragedy of the character intact, which in turn helped ensure that the dramatic power of change is given its full dues.

The puppets have all the joy and exuberance they're known for, but with a masterful layer of pathos added to those that need it. If you want kids to experience the famous story but fear that other filmed adaptations may be too difficult or dreary for them, then I know of no better alternative than the Muppet version; it hits all the important notes and has heart to spare.

.hack//4Koma (2010)

.hack//4Koma (2010)

Author: Koichi Sumimaru | Illustrator: Various |  Page Count: 192

"Your morals as a protagonist are being challenged, aren't they?"

A yonkoma, often shortened to 4koma, is a four-panel manga similar to the kind of thing you'd see in a Sunday newspaper, except that most yonkoma are read from top to bottom, not left to right horizontal.

The .hack yonkoma parodies Project .hack and .hack Conglomerate. The comedy is derived mostly from non-canon meetings, rivalries, awkward social situations, and typically friendly people being dicks to other characters. As such, in-jokes are definitely the order of the day, so if you're not very familiar with each person's usual demeanour, or the .hack world, in general, you'll miss most of the situational humour.

Bill and Ted Face the Music (2020)

Bill and Ted Face the Music (2020)

Dir. Dean Parisot

I've not featured Bill and Ted's Bogus Journey (1991) on the 7th and Last because, simply put, I hated it. I mention it now only because it's somewhat necessary to have seen it to understand the relationship between Bill (Alex Winter) and Ted (Keanu Reeves) and the Grim Reaper (William Sadler), all of whom returned for Face the Music (2020).

The titular duo's destiny, as foretold in Excellent Adventure (1989) — which is to write a song so emotionally stirring that it'll unite all of humanity in glorious, peaceful harmony — hasn't happened. The world is largely unchanged, as are Bill and Ted, except that they're older and each has a daughter - that's them on the cover art: Billie (Brigette Lundy-Paine) and Thea (Samara Weaving).

The initial promotions had me worried that it would be another example of Hollywood trying to force some element of gender-swapping, but happily the story avoids that. And while I didn't warm to the new duo much at all, they didn't feel like they were in the way, and they'd a genuinely vital, complementary role to play in the story.

Critters: Films (1986–)

Critters: Films (1986–)

Of the shovel-load of horror B-Movies that the industry shat out during the 1980s, Critters (1986) directed Stephen Herek was one of the more entertaining ones. It arguably still is. It's basically a sci-fi/horror hybrid with some accidental laughs and some purposeful laughs.

The creatures are like vicious little bastard cousins of the Gremlins. They wreak havoc, as you'd expect, but what makes the film work so well is that the family is at the heart of it. The bitey things don't kill off dumb, screaming, sex-crazed teenagers one by one - they threaten something important, something that's worth fighting for. That makes all the difference.

Critters 2: The Main Course (1988) directed by Mick Garris is set two years after the fuzzy feckers went wild in Kansas. Life goes on for the survivors, but nothing's peaceful for long in B-Movie Land. The space porcupines are back for more, and their numbers have increased

Upstart Crow (2016–)

Upstart Crow (2016–)

18 episodes, approx 29 mins each + 3 Christmas Specials, approx 49 mins each.

In the simplest terms, if you like Shakespeare and enjoyed the format of the Blackadder TV series, then Upstart Crow is probably for you.

Written by comedian Ben Elton, it portrays the bard as a playwright struggling for inspiration and unappreciated by his family and friends.

David Mitchell is wonderful in the title role, as is Liza Tarbuck as his wife Anne Hathaway, the only one of his group that truly understands him.

To get the most from the series you'll need some pretty sizeable knowledge of Shakespeare's written works and of events in his personal life, including that of his contemporaries (e.g. Kit Marlowe and Robert Greene) and be aware of the various theories regarding authorship.

That's an unusually high level of prerequisite for a sitcom to ask of its audience, but if you have it, then you're going to have a lot more fun.

The Mighty Boosh: TV Series (2004-07)

The Mighty Boosh: TV Series (2004-07)

Three Series | 20 episodes, approx 28 minutes each.

TMB is an alternative British comedy series that's just plain weird. I can't even think of an easy comparison to make this review go any quicker.

The show revolves primarily around two main characters, namely Howard Moon (Julian Barratt) and Vince Noir (Noel Fielding), both of whom in Series One are zookeepers at England's shittiest Zoo, The Zooniverse, a dilapidated and mostly empty crappy little hovel with bored animals.

Howard resembles the guy from your local supermarket who hovers in the bread aisle. He agonises over every decision, loves jazz funk, and wants desperately to sleep with Mrs Gideon (Victoria Wicks), the Reptile House lady.

Vince resembles a Dr Doolittle and Rod Stewart love child. He has perfect hair, a love of electro-pop, and a laid back attitude to life. The less he tries the more he succeeds. Mrs Gideon, the Reptile House lady, wants to sleep with him.

Bill and Ted's Excellent Adventure (1989)

Bill and Ted's Excellent Adventure (1989)

Dir. Stephen Herek

B+TEA is special to me for a reason that may bore almost everyone, but I feel obliged to relate it because I love the film and owe it at least that much, for what I feel it gave to me.

I saw it first at a time in my life that was, let's say, pivotal in learning about who I was as a person and how my actions affected others.

I bought it back when VHS was the dominant home media format and watched it many, many times - I knew every scene by heart.

Alas, it happened that one evening a VHS tape was needed at VERY short notice in order to record from TV something that was even more beloved (i.e., Star Trek: TNG) and the B+TEA tape was the only one available...

Kinvig (1981)

Kinvig (1981)

Dir. Les Chatfield | 7 episodes, approx 25 mins each.

I expected more from Kinvig, given that it's written by Nigel Kneale, the creator and author of the Quatermass films, but, sadly, it's a weak sci-fi comedy with mostly forgettable characters.

The titular Kinvig (Tony Haygarth) is owner of a corner repair shop in a typical British town. A man with a self-proclaimed "flair" for fixing things, he is in fact a lazy and largely useless sod who wings it most of the time. His life is unstimulating and routine, and because his shop doesn't generate much income he struggles to pay the rates.

Kinvig's best friend is Jim Piper (Colin Jeavons), a man with an unhealthy interest in aliens and unexplained phenomena. If Jim dropped his toast and it landed butter side up, he'd probably think it was the work of extra-terrestrials. But in Kinvig's life Jim is the foremost authority on such things.

Smokey and the Bandit: Films (1977-83)

01. Smokey and the Bandit (1977)

Dir. Hal Needham

The Bandit (Burt Reynolds) and his buddy Snowman (Jerry Reed) attempt to transport a truckload of contraband across state lines,

However, a disgruntled Sheriff (Jackie Gleason), the Smokey of the title, and a drove of state troopers have a hard-on for the cocky bootleggers along the way.

The majority of the film is nothing more than an extended chase scene in which our heroes attempt to overcome complications and outsmart Smokey, but it's never boring.

Big Trouble in Little China: Volume 5 (2017)

Big Trouble in Little Heaven (2017)

Author: Fred Van Lente |  Illustrator: Dan McDaid |  Page Count: 112

"Not in the face!! That's the money-maker!!!"

I felt that Volume 4 had reignited the BTiLC series, but I feel also that Volume 5 pisses on it again, even though both collections are written by the same author.

It places Jack in a peculiar environment that's chock-full of supernatural beings, namely the Kunlun Casino as it hosts Source Con, a sorcerers convention, most of whom are egotistical a-holes. But Jack's not braving it alone, he has Wang's daughter Winona to aid him. Oh, and Wang's there, too, but he's currently an emotional mess and seemingly about as useless as tits on a bull.

Much of the book is taken up by a lengthy poker game, and if you don't know how to play poker (specifically Texas Hold 'Em) it teaches you. As a fan of the game I enjoyed the setting, but a lot of the dialogue therein seems like little more than word-count boosting filler.

Big Trouble in Little China: Volume 4 (2016)

I Hate the '80s! (2016)

Author: Fred Van Lente |  Illustrator: Joe Eisma |  Page Count: 112

"Stop me if you've heard this one before, but I wouldn't mind just getting my truck and getting out of here..."

I don't know how much input creator John Carpenter actually had to the comic book continuation of his film, but his name is absent from the credits of I Hate the '80s!, so perhaps his involvement ended with Volume 3? Time will tell. What's certain is that regulars Eric Powell (author) and Brian Churilla (illustrator) are both gone.

That means it's a new creative team at the helm for Volume 4. I was hopeful that they could rescue it from its Volume 3 slump, return it to the standard set by the first book, and, by Jove, they almost did! BTiLC is good again. Thank you, Mssrs Van Lente and Eisma.

The new setting is kind of crazy, but, in my view, it's a good kind of crazy and, more importantly, it once more recaptures the feeling of fun that the movie had.

Big Trouble in Little China: Volume 3 (2016)

Jack Burton in the Hell of No Return (2016)

Authors: John Carpenter / Eric Powell  |  Illustrator: Brian Churilla  |  Page Count: 112

"It's all trouble from here."

Volume 3 is functional and purposeful, but not what I'd class as memorable and a lot of the time it even felt like the BTiLC spark of fun was missing from it.

With regards what I mean by the functional side of things, it's constructed precisely so that it takes four issues, (i.e. the TPB page count) for Jack to advance to the next part of his adventure, like a successful step in an ongoing narrative ought to do. In that respect it's kind of like a self-contained short story, but it also feels like a stop gap for the series, slowing it down too much.

With regards the purposeful side, the most successful aspect is in how it subverts expectations for comedic effect. much like it does with the hero genre, having Jack be a hapless fool but remain unaware of it. The Chinese Hells are at times the direct opposite of what most readers will be accustomed to from other media.

Big Trouble in Little China: Volume 2 (2016)

The Return of Lo Pan and How Jack Burton Became King of the Lords of Death (2016)

Authors: John Carpenter / Eric Powell  |  Illustrator: Brian Churilla  |  Page Count: 112

"It's like I always say, you can never really go home! Especially when there's a restraining order involved!"

NOTE: the following text contains spoilers for the Big Trouble in Little China (1986) movie AND for Volume 1 of its comic book sequel. Proceed at your discretion.

If you've read Volume 1 of the series, then you'll know that Jack Burton's antics while travelling the Midnight Road weren't without consequence - he pissed off some powerful individuals, some of whom want payback.

As if that wasn't bad enough, the recently resurrected supernatural entity Lo Pan, butt-hurt and angry due to his marriage plans going tits-up and subsequently being sent by Jack to The Hell of Those Killed by Idiots, is itching for some mystical-style vengeance. Jack's best option is to go on the run with his friend Wang.

From Dusk Till Dawn: Film Trilogy (1996-99)

From Dusk Till Dawn (1996)

Dir. Robert Rodriguez

Two criminals on the run take a few hostages and head for Mexico. Seth Gecko (George Clooney) is smooth and calm under pressure. His brother Richie (Quentin Tarantino) is a trigger-happy prick who needs protecting from his own impulses.

It's a movie of two uneven halves. For a while it's an edgy crime flick with some Tarantino-penned dialogue. It doesn't go anywhere particularly interesting, but there's at least the feeling that it might.

The latter part of the film, however, has no such aspirations. Instead, it goes all out to please fans of a very different genre.

I'll say no more, to avoid further spoilers, but the direction it takes will either float your goat or it won't. My goat was thoroughly sunk, but credit to the creators for trying something so outrageously divergent.

A Midsummer Night's Dream (c.1595-96)

A Midsummer Night's Dream (c.1595-96)

Author: William Shakespeare  |  Page Count: 120

"Love looks not with the eyes, but with the mind,

And therefore is winged Cupid painted blind."

Shakespeare's A Midsummer Night's Dream is a confusing first read for a lot of people; it certainly was for me many years ago. It seems as if there are too many characters to keep track of, but there really isn't.

A common hurdle is that a large portion of the play focuses on two men and two women. The two men are both in love with the same woman, a woman who loves just one of the men. There's a second woman in love with one of the men that loves the first woman. You follow? That, believe it or not, isn't the confusing part.

The real head-fuck comes when the King of Faerie, Oberon, or more precisely his loyal aide, the pernicious fairy Puck, gets involved. There's a mix-up with a love potion and then everything goes tits-up. If you can see it performed on stage do so, because it really helps.

Child's Play / Chucky Movie Collection (1988—)

Child's Play (1988)

Dir. Tom Holland

Charles Lee Ray, aka the Lakeshore Strangler, is hunted by police. As a last resort, and thanks to some convenient knowledge of voodoo magic, the killer manages to transfer his consciousness to a popular kid's toy, the Good Guys doll.

Six-year-old Andy Barclay (Alex Vincent) loves the Good Guys franchise; he watches the cartoon on TV, eats the breakfast cereal, and wears the branded clothing. Andy's mom, Karen, a single parent, does her best to give the boy what he wants, and what Andy really, really wants is a Good Guys doll, naturally.

That's the basic set-up. Young Alex Vincent isn't annoying at all, which is not something that can be said for a lot of kids in films, and actress Catherine Hicks is believable as a mother with a 'compensating for absent father' attitude. But the most memorable character is the doll, Chucky, voiced by Brad Dourif. He's a sadistic, vindictive, foul-mouthed and merciless little shit. If you're a fan of black humour, he's also pretty damn funny at times.