Alice in Chains: Dirt (1992)

Alice in Chains: Dirt (1992)

It's impossible to put into words the connection I feel with Dirt. It was released in September '92, and by the following year I was obsessed with it.

For a multitude of reasons, '93 was a hugely pivotal year of my life. The shit that occurred in that 12 month period influenced my life's course everyday thereafter. It's been 30+ years since then, but the album is still as important to me now. I consider it a masterpiece, without question and without equal in the 'Grunge' genre.

It's a fairly long album, not far off an hour, but the cohesive musicianship and quality song-writing is of such a high standard that it never drags its heels. By comparison, the band's previous full-length album, Facelift (1990), had a shorter runtime but felt longer.

The Lost World + Return to the Lost World (1992)

The Lost World + Return to the Lost World (1992)

Dir. Timothy Bond

One of my favourite books as a child was a 1981 Ladybird Children's Classics edition of Sir Arthur Conan Doyle's The Lost World (1912).

It was a small hardcover edition, heavily abridged (52 pp) with storybook illustrations by Martin Aitchison throughout. I must've read it at least 40 times over the years. The edition I had came with an audio cassette of someone reading the book aloud, with music and sound FX at appropriate times - meaning everyone in the household could 'enjoy' my reading of it, too.

It didn't birth a lifelong love of dinosaurs, which is something that many kids from my generation have, but it did contribute to a lifelong love of books and of storytelling, in general.

That in itself is reason enough for me to want to feature the story on the blog in some capacity.  I chose a movie version, for reasons. And for additional reasons, it was the 1992 version.

Primal: From the Cradle to the Grave (1992)

Primal: From the Cradle to the Grave (1992)

Authors: Clive Barker / Daniel G. Chichester / Erik Saltzgaber

Illustrator: John Van Fleet | Page Count: 64

'Tiny bones are cast aside, sweet suck of marrow still within. Half-masticated gristle spit out to make way for new treats.'

Fortunately, I chose to read Primal on the strength of Clive Barker's involvement and didn't read the blurb on the back until after I'd finished the book in its entirety. I recommend the same approach to anyone who may be interested in reading it because the blurb is spoilery.

In case that sounds like a recommendation, I'll jump ahead and sum up my thoughts now: it was deeply disappointing and isn't something I plan to revisit.

Barker's influence is felt chiefly at the book's beginning, in its basic themes and initial mysteries, and in how it incorporates notions of sexual desire mixed with esoteric experimentation, exploring how a hungering lust for new  experiences can open doorways to darker realms.

My Cousin Vinny (1992)

My Cousin Vinny (1992)

Dir. Jonathan Lynn

MCV isn't bursting at the seams with plot, but it makes up for that in spades by having heaps of charm and characters worth caring about.

It’s a comedy about two young New Yorkers (Ralph Macchio and Mitchell Whitfield) who get their asses deep in trouble while driving through Alabama and end up needing a lawyer.

They get Vinny (Joe Pesci). He's a legal fish out of water, but he's got something to prove, so he throws his heart and soul into the work.

The cast are all excellent. Pesci is his usual self and perfect for the role. Marisa Tomei provides great support and tremendous sparkle. And seeing the wonderful Fred Gwynne without bolts in his neck is also a rare treat.

The Muppet Christmas Carol (1992)

The Muppet Christmas Carol (1992)

Dir. Brian Henson

It's a suitable for all-ages adaptation of Dickens' classic novella but with Muppets. I could end the review there because it's technically correct, but the film deserves so much more than that.

There's humans, too, most notably Michael Caine, who plays the misrely Ebenezer Scrooge, a man who hates kindness and the charitable feelings that traditionally go/went hand in hand with the season. Despite being surrounded by furry puppets, Caine plays it straight, which was absolutely the correct approach. Doing it that way kept the tragedy of the character intact, which in turn helped ensure that the dramatic power of change is given its full dues.

The puppets have all the joy and exuberance they're known for, but with a masterful layer of pathos added to those that need it. If you want kids to experience the famous story but fear that other filmed adaptations may be too difficult or dreary for them, then I know of no better alternative than the Muppet version; it hits all the important notes and has heart to spare.

Batman: The Animated Series (1992–95)

Batman: The Animated Series (1992–95)

Dirs. Various | 85 Episodes (65 in S1 + 20 in S2), approx 22 mins each. [1]

Quintessential - that's what The Animated Series version of Batman is for me, outside of the printed page. Whether it be live action or animation, TAS is superior to every other onscreen interpretation of the iconic character that I've encountered thus far.

That same adjective applies to two of its most notable voice actors. Firstly, Kevin Conroy, who provides the voice of both billionaire Bruce Wayne and his pointy-eared and black-caped nighttime alter ego. [2]

The other, mentioned second but no less memorable than the first is Mark Hamill, who brings maniacal life to The Joker. I've not enjoyed Hamill's work outside of TAS, but as the clown prince of crime he's a master.

Bad Influence! (1992-96)

Bad Influence! (1992-96)

4 Series | 57 episodes total, approx 20 minutes each.

White Zombie: La Sexorcisto: Devil Music, Vol. 1 (1992)

White Zombie:

La Sexorcisto: Devil Music, Vol. 1 (1992)

La Sexorcisto was the predominant soundtrack to my time in art school, pulsing daily from a stereo cassette deck at the back of the room, which happened to be where I was situated.

Being inspired by the likes of Van Gogh, Hieronymus Bosch, and White Zombie was an exhilarating feeling that I hope will remain indelible in my memory for as long as I'm alive, for those same years were some of the most important of my life, thus far.

Musically the album's dominated by psychedelic, sludgy, almost stoner groove riffs that are undeniably catchy, conjuring images of midnight gatherings at a Hallowe'en carnival, presided over by vocalist Rob Zombie, a kind of rollercoaster preacher peddling bedevilled dreams to an audience hungry for stimulus.

Godzilla: Heisei Era Films (1984-95)

16. The Return of Godzilla (1984)

Dir. Koji Hashimoto

NOTE: numbering continues sequentially from the Shōwa Era. For simplicity's sake I've used English language titles for each of my Godzilla reviews, but it's always the original Japanese language versions of the films that I refer to.

The Heisei Era is almost exclusively a case of Godzilla vs [ANOTHER] kaijū; the exception is the first film, which is a reboot of sorts, being a sequel to the original 1954 film that ignores the other fifteen Shōwa films. It was a deliberate attempt to return the series to its origins. It successfully made Godzilla scary again. No longer something to be mocked, Godzilla is total fucking destruction.

The first proper reveal of the rejuvenated beast is impressive, with newly added facial animatronics that enabled it to have nuances like never before.

Critters: Films (1986–)

Critters: Films (1986–)

Of the shovel-load of horror B-Movies that the industry shat out during the 1980s, Critters (1986) directed Stephen Herek was one of the more entertaining ones. It arguably still is. It's basically a sci-fi/horror hybrid with some accidental laughs and some purposeful laughs.

The creatures are like vicious little bastard cousins of the Gremlins. They wreak havoc, as you'd expect, but what makes the film work so well is that the family is at the heart of it. The bitey things don't kill off dumb, screaming, sex-crazed teenagers one by one - they threaten something important, something that's worth fighting for. That makes all the difference.

Critters 2: The Main Course (1988) directed by Mick Garris is set two years after the fuzzy feckers went wild in Kansas. Life goes on for the survivors, but nothing's peaceful for long in B-Movie Land. The space porcupines are back for more, and their numbers have increased

Nine Inch Nails: Broken / Fixed (1992)

NIN: Broken E.P. (1992)

Broken is an angry, audible 'F**k You!' to the stifling conventions and contrivances of the music business, conceived, written, performed and co-produced by Trent Reznor. It's the sound of Reznor the 'commodity' hating on the people that want him to be marketable and make them money.

Ironically, it went on to make a lot of money, but it also saw NIN turn from being syth-pop-friendly to kicking it with the Industrial big league.

It wasn't just a Pretty Hate Machine (1989) retread with distortion, it was a whole new NIN sound that two years later, once the anger had subsided, would further develop into something altogether more mature, resulting in one of the best albums the genre ever produced: The Downward Spiral.

To promote the release a short film was made (but not officially released). It complemented the music in an intentionally non-media-friendly way. See The 'Broken' Movie (1993) for details.

Star Trek: The Next Generation: TV Movies (1987-94)

Star Trek: TNG: The Complete TV Movies

Dirs. Various / 10 feature-length TV Movies / 835 mins (approx total)

I've covered the individual seasons of The Next Generation elsewhere on The 7th and Last blog, but in order to keep those posts at an acceptable length I didn't dwell too much on the two-parters; aka the TV 'movies'. This post indulges my desire to give them a little more attention.

There are ten in all, and because there's some TNG moments in Deep Space 9's pilot episode I'll add it, too. Naturally, given the number, it'll be longer than my usual post length.

Bram Stoker's Dracula (1992)

Bram Stoker's Dracula (1992)

Dir. Francis Ford Coppola

Coppola's adaptation of Bram Stoker's Dracula (1897) is visually interesting. He mutates the German expressionists love of shadow into something pure Hollywood but still effectively dramatic. On top of that he heaps dozens of colourful and theatrical elements, but it's more than the film can comfortably support.

If it was a cup it'd be ornate and gilded but wouldn’t hold much water (or blood).

The Dracula character (Gary Oldman) is a tragic figure responsible for his own curse, thus ensuring that his grief lasts for centuries. Heartache can cause us to do odd things, but he really didn't think that through.

The acting by most of the cast is dodgy at best. Keanu Reeves as Jonathan Harker, Winona Ryder as Mina Murray, and Sadie Frost as Lucy Westenra are just plain awful. Gary Oldman is fantastic as an old man, but his younger self has a hopeless romantic shtick that quickly bores.

The Sandman: Volume IV (1992)

Season of Mists (1992)

Author: Neil Gaiman | Illustrators: Malcolm Jones III / P. Craig Russell / George Pratt / Dick Giordano | Page Count: 218

"To absent friends, lost loves, old Gods, and the season of mists; and may each and every one of us always give the Devil his due."

Volume IV of X in the Sandman saga introduces more of the Endless as they gather for a family meeting. What invariably happens at family gatherings? Shit hits fans. It seems anthropomorphic personifications of abstract terms aren't exempt. It's a hard life being an Endless.

Lord Morpheus' conscience gets the better of him and he attempts to right a wrong that he committed centuries before (see Volume II: The Doll's House) by going somewhere that he's no wish to ever go to again (see Volume 1: Preludes and Nocturnes). Now seems like a good time to stress again how beneficial it is to read them in order, despite claims make by the publisher.

Mindwarp (1992)

Mindwarp (1992)

aka Brain Slasher

Dir. Steve Barnett

I suspect the reason there's a sliver of Ash in most of Bruce Campbell's characters is because there's a lot of Bruce's own personality in Ash.

He maybe accentuates certain traits, but they spring from something real. Furthermore, if he's one of the main stars of a film, then there's a good chance he'll be facing off against some kind of evil creature. Mindwarp is no different.

It goes for a 70s style version of the 21st century, which is something that I really like; the poor-man's pre-Matrix (1992) VGA port in the back of the neck was hilarious.

The synthetic world that the female protagonist (Marta Martin) wants to escape is kind of similar, too, but the remainder of the film isn't.

Much of it is set underground where the lighting is bad, but on the plus side it helps hide budget limitations and makes sense because underground is where the aforementioned evil lives.

Knightmare (1987–94)

Knightmare (1987–94)

8 Seasons, 112 episodes, approx 25 mins each.

As a young Faustus I loved all things fantasy and supernatural: HeroQuest gaming sessions; Steve Jackson and Ian Livingstone's Fighting Fantasy books; the many Dragonlance and Forgotten Realms novels; etc, so it's no surprise that Knightmare fit perfectly into my life.

Four adventurers (kids under sixteen) entered the Castle of Confusion in the hope of conquering its dungeon. One wore the Helmet of Justice, which limited what he/she could see, and entered the dungeon proper. The remaining three stayed behind to act as guides, able to see on a screen where their Dungeoneer friend was, to direct and attempt to keep them from falling into imaginary pits of doom and suchlike.

The rules of the game were overseen by a Dungeon Master named Treguard of Dunshelm (pictured right), a noble(ish) born Saxon knight, he would give occasional clues and hints to either encourage a train of thought, help solve a puzzle or feed the team's nervousness. Among Knightmare fans, Treguard rocks!

Star Trek: The Next Generation: Season 6 (1992-93)

Star Trek: TNG: Season 6 (1992-93)

26 episodes, approx 44 minutes each.

Something I noted in a previous TNG post rings true again here: that a common theme serves as the basis for a number of different episodes throughout the entire season. This time it's 'transformation'. There's the emotional growth kind, of course, but there's also social, temporal changes (such as ageing), and even a number of actual species transformations!

It begins by concluding the Season 5 cliffhanger, Times Arrow. Thereafter, things progress steadily.

Overall, it's not the most memorable season for fans of TNG, but there are some notable episodes that need to be watched. I don't feel that any of them are actually the best the season has to offer, but they each have lasting consequences. Some examples are:

Ep. 20: The Chase, an episode that explores a question that a great many observant Trek fans have been asking themselves since the TOS days.

Star Trek: The Next Generation: Season 5 (1991-92)

Star Trek: TNG: Season 5 (1991-92)

26 episodes, approx 44 minutes each.

Amid the twenty-fourth century problems tackled by the Enterprise crew (e.g. coolant leaks, transporter malfunctions, stubborn settlers on other planets, etc) are a large number of issues and moral dilemmas that affect people of all eras, meaning the show continued to be both universal and timeless in its topics.

One of the issues successfully tackled was an exploration of gender and attraction that the science fiction genre is well-equipped to deal with.

It's perhaps a coincidence, but more than any of the preceding seasons there are episodes centred around or featuring children: there's a birth, an orphan, an imaginary friend, more than one single parent story, and an episode in which Picard has to deal with a trio of kids all by himself. The later isn't a particularly memorable episode in itself, but it highlights how funny the Captain (i.e. Patrick Stewart) could be when he was allowed to step down from the pedestal of seriousness. Speaking of Picard, he gets a stylish new coat that no one else in the crew gets - ahh, the perks of captaincy!

The Quentin Tarantino Collection (2011)

The Quentin Tarantino Collection (2011)

Number of discs: 6  |  Running Time: 625 minutes (combined)

I may get around to rewatching (or in some cases watching for the first time) QT's later films, or I may not, but until then have this, a collection of five features put out by Lions Gate Home Entertainment housed in a cheapo, flimsy cardboard box.

That's the actual box art on the right, with QT looking moody. Perhaps someone accused him of mass plagiarism prior to the photo being taken?

Every time I see it I wonder if it was a conscious decision not to have the cover art for the films in the order they were released or did someone screw up?

Of that order, the first two I'm very pleased to own, and if they weren't included I'd have bought them separately. The next one I'm mostly indifferent to. The final two I don't care for at all, even though I'm a fan of many of the things that inspired them.

Scanners Trilogy (1981-92)

Scanners (1981)

Dir. David Cronenberg

The eponymous individuals are able to kill with just a thought, and the film wastes no time in showing us one of them in action.

When a powerful corporation that wishes to control the Scanners no longer can, they need the help of a Scanner to stop the others. Yay for dramatic irony! It's kind of like needing your glasses to find your glasses, with the added danger that your glasses can telepathically kill you any time they like.

Patrick McGoohan is excellent as the fatherly psychopharmacist; Michael Ironside is unquestionably good as a menace; but, I'm sorry to say, while Stephen Lack did okay as a lost soul, he didn't have the acting experience at the time to make the inner conflict of the lead role hit as hard as it needed to.

If you're familiar with Cronenberg's early works, such as Stereo (1969) and Crimes of the Future (1970), you'll recognise trace elements of their structure in the film's settings and concerns, helped along by a budget that frees the production from being tied to an institute environment.