Masters of Horror: Series 02 (2006)

Masters of Horror: Series 02 (2006) [Complete]

Dirs: Various (See Below) | Episodes: 13 (Total), 55 minutes each, approx.

More of the same kind of hit and miss anthology stories from many of the same people that were involved in Series One. This first half contains the first seven episodes. There may be a difference in running order between the Region 1 and Region 2 editions. I'm using the UK Region 2 editions. As with Series One, NA also got a full series box (Vols 01 + 02).

Arcturus: La Masquerade Infernale (1997)

Arcturus: La Masquerade Infernale (1997)

Listening to Arcturus' second album conjures images of a theatrical, costumed ball taking place during a lunar eclipse, populated with people in grotesque animal masks who indulge in all kinds of icky vices at the drop of a hat (or a mask).

It's an almost vaudevillian exploration of what 'metal' can be. In plainer terms, the words 'avant-garde' and 'Norway' will maybe be helpful. The dissonance and semi-operatic vocal style might alienate some traditional metal fans, but folks that connect to the madness may love it - even after seeing through the veil and becoming familiar with its inner workings.

Beyond Rue Morgue (2013)

Beyond Rue Morgue Anthology:
Further Tales of Edgar Allan Poe's 1st Detective (2013)

Editors: Paul Kane / Charles Prepolec | Authors (in the order presented): Edgar Allan Poe / Mike Carey / Simon Clark / Weston Ochse + Yvonne Navarro / Jonathan Maberry / Joe R. Lansdale / Elizabeth Massie / Lisa Tuttle / Stephen Volk / Clive Barker | Page Count: 332 

"Between ingenuity and the analytic ability there exists a difference far greater, indeed, than that between the fancy and the imagination, but of a character very strictly analogous. It will be found, in fact, that the ingenious are always fanciful, and the truly imaginative never otherwise than analytic."

The detective in Edgar Allan Poe's short story Murders in the Rue Morgue (1841), Le Chevalier C. Auguste Dupin, was used by the author in two more of his works, The Mystery of Marie Rogêt (1842) and later The Purloined Letter (1844). Considered the world of literature's first mystery detective, Dupin was solving horrific crimes long before either Sherlock Holmes or Hercule Poirot.

Famously, the word 'detective' hadn't even been coined when Poe penned his first Dupin mystery. His crime-solver used what the author called 'ratiocination'. But you can read about all of that in the book's introduction, so I won't spend any more time on it. Commenting on the stories in the pictured book is why I'm here. As the full title says, it's 'further tales' of Dupin, written by a number of different authors and in a number of different styles.

The Raven (1845)

The Raven (1845)

Author: Edgar Allan Poe  |  Page Count: N/A (108 line poem)

'Once upon a midnight dreary, while I pondered, weak and weary,
Over many a quaint and curious volume of forgotten lore—

While I nodded, nearly napping, suddenly there came a tapping,
As of some one gently rapping, rapping at my chamber door—
"Tis some visitor," I muttered, "tapping at my chamber door—
Only this and nothing more."'

Edgar Allan Poe's The Raven is public domain, so you can pick it up directly (see below*) without ever reading my subjective ramblings. But I'm going to write them, anyhow, to satisfy my own impulses.

The poem is a remarkable work that deserves a similar kind of praise as that enjoyed by the likes of Wordsworth and Coleridge. I really do believe that; I feel that Poe was as important to his field as either of those two giants were to theirs.

Roger Corman / Edgar Allan Poe (1960-65)

The Fall of the House of Usher (1960)
Dir. Roger Corman

The first of seven Roger Corman films that claim to be based on the works of American author Edgar Allan Poe relies heavily on the deep, rich textures of Vincent Price. The dialogue he's given only occasionally sounds like it came from Poe's own mind, but the hinge on madness — the deranged grip of nervous agitation that many of his protagonists find themselves inexorably in — is firmly in place, the crumbling house reflective of the Ushers' state of mind.

It invents a new character and does away with an original one, while the shift to third person robbed it of a potentially weighty V/O, but it's something that I've come to accept.

The paintings hanging in the halls are atypical of the era, but they’re amazing, nonetheless.