Critters: Films (1986–)

Critters: Films (1986–)

Of the shovel-load of horror B-Movies that the industry shat out during the 1980s, Critters (1986) directed Stephen Herek was one of the more entertaining ones. It arguably still is. It's basically a sci-fi/horror hybrid with some accidental laughs and some purposeful laughs.

The creatures are like vicious little bastard cousins of the Gremlins. They wreak havoc, as you'd expect, but what makes the film work so well is that the family is at the heart of it. The bitey things don't kill off dumb, screaming, sex-crazed teenagers one by one - they threaten something important, something that's worth fighting for. That makes all the difference.

Critters 2: The Main Course (1988) directed by Mick Garris is set two years after the fuzzy feckers went wild in Kansas. Life goes on for the survivors, but nothing's peaceful for long in B-Movie Land. The space porcupines are back for more, and their numbers have increased

Stargate SG-1: Season 08 (2004-05)

SG-1: Season 08 (2004-05)

Dirs. Various | 20 episodes, approx 44 minutes each.

Most of the science-fiction television series that I'm a fan of ended either before or at their seventh season. In fact, I think now might be the first time that I've featured an eighth season of something sci-fi on the blog. In that respect, if nothing else, SG-1 Series 08 is an exception to me. It was reduced to just 20 episodes, but eight years is still a heck of an achievement.

As if to mark the occasion, it has another new opening credits sequence. I don't know if what I write next will be considered spoiler by many folks, but I'll give a warning now, just in case.

Amid the action scenes in the opening sequence, the most notable thing is that Carter isn't the only one with a new hairstyle - Teal'c has one, or rather Teal'c now has some actual hair!

It's a little odd at first, but he's the same dependable ex-Jaffa as he always was, and it even plays a role, of sorts, in one of the episodes.

Lucifer: Volume 07 (2005)

 Exodus (2005)

Author: Mike Carey | Illustrators: Peter Gross / Ryan Kelly | Page Count: 168

"I served our Father faithfully, and my reward was to be chastised for not being you."

Volume 07 of 11 in the Lucifer series. The Morningstar is forced to take preventative measures to ensure the safety of his property. After the effort expelled to create and then to keep it, to leave it open to God's whim now would be folly. The duty forces him into a position with the Heavenly Host that he'd rather avoid, but sometimes circumstance force the hand of even angels.

Elsewhere, the secondary characters are given more to do, in a more thought-out and interesting storyline than last time. And while that leaves Lucifer absent a lot of the time, it really didn't matter because the parallel storylines kept my attention diverted.

There's a lot of humour in Exodus. It was unexpected but not unwelcome after the drawn-out nature of the previous book. The fugly little fallen Cherub Gaudium gets a chance to shine. He and his sister could sustain an off-shoot of their own, about the domestic problems of two incompetent siblings. I’d buy it.

Rodan (1956)

Rodan (1956)

Dir. Ishirō Honda

If you were to list the events of Rodan as a simple flowchart, it'll read just like many of the less inventive kaijū eiga from the era:

Human story

|

Creature(s) awaken(s) + atomic power is mentioned

|

Creature(s) rampage during last 30 mins + JSDF shoot weapons repeatedly to no avail

|

Quick fix

|

End.

What sets it apart is that the human story it offers up is better than most. There’s a feeling of genuine concern between the folks of the small coal mining village, while the terror they experience is shared among the workers and the usually distant decision makers.

Perfect Blue: Awaken from a Dream (2018)

Perfect Blue: Awaken from a Dream (2018)

Author: Yoshikazu Takeuchi | Translator: Nathan A. Collins | Page Count: 196

'The screen glowed in monochrome static, the snow-like pattern punctuated by pulsing flashes in the signal, each flash accompanied by an abrasive noise like a cicada's call.'

The blurb on the back cover describes it as a 'sequel' to Yoshikazu Takeuchi's Perfect Blue: Complete Metamorphosis (2018), but it isn't that at all. And unlike CM, it's not a novel, but rather three separate short stories, similarly set in the pop-idol world.

I didn't enjoy the previous novel, but I'd foolishly bought Awaken from a Dream before reading the other, so I read it too, but with much lower expectations than I had for CM. I won't go into detail about each one because it would require giving the collection more time than I feel it warrants.

Takeuchi's basic template for a story is as follows:

Stargate SG-1: Season 07 (2003-04)

SG-1: Season 07 (2003-04)

Dirs. Various | 22 episodes, approx 44 minutes each.

Like the previous year, a significant personnel change had a dramatic impact on the core team.

It limits what I can say without diving into spoiler territory. To do the job properly, therefore, I'll need to drop some broad SPOILERS hereafter.

Unfortunately, even for those who stopped reading before now, the opening credits give the game away before the first episode has even begun, revealing the 'new' member of SG-1.

For a time it works well as a five-man team, but the writers chose instead to push out Jonas Quin (Corin Nemec), who spent much of the previous year finding and establishing his unique role.

Thereafter things progress steadily, with the search for new alliances and advanced technology that can be used and/or adapted to combat the diabolical Goa'uld System Lords, who remain the primary threat for the Tau'ri.

Lucifer: Volume 06 (2004)

Mansions of the Silence (2004)

Author: Mike Carey | Illustrators: Peter Gross / Ryan Kelly / Dean Ormston / David Hahn | Page Count: 144

"You are the King of contrivance and manipulation, my Samael. But in that, as in all things, you learned from your Father."

Volume 06 of 11 in the Lucifer series. Seeing as how it's clearly visible on the cover, I can say without crossing into spoiler territory that the Morningstar has got himself a medium sized ship, but why or where he intends to sail it will be revealed if you read the book.

Sadly, the story is formulaic. After an intro that can leave a reader wondering what happened between the previous book's ending and the beginning of this one, something that Carey has been careful to address up until now, the premise gets underway.

In the tradition of Jason and the Argonauts, all manner of mythical creatures that exist merely to interfere and harm are encountered during the long and arduous voyage. Such a setting is a workable literary device to show how characters react when in permanent proximity to others; e,g. the crew bicker and fight amongst themselves and against the nasties, but that's basically all there is to it.