Something Wicked This Way Comes: Authorized Adaptation (2011)

SWTWC: The Authorized Adaptation (2011)

Author: Ray Bradbury | Illustrator: Ron Wimberly | Page Count: 144

'She was blind, yes, but special blind. Just as they felt that balloon sift down like an autumn rain, so she could feel their souls. Each soul, a vast warm fingerprint.'

A comic book adaptation of Ray Bradbury's novel. I reviewed it a decade ago (HERE), so I won't go over the plot again. I'll focus solely on whether or not I feel the adaptation is successful. The short answer is yes, it mostly is. It retains a lot more descriptive language than is normal for a graphic novel, but that's a good thing because that's where the magic really happens in Bradbury's prose. His worldbuilding is often more beautifully realised than his dialogue.

The narrative accentuates the differences in the two boys more than the novel did, but that was necessary so that the second half of the story could do its job properly in a shorter space of time.

The Martian Chronicles: The Authorized Adaptation (2011)

The Martian Chronicles: The Authorized Adaptation (2011)

Author: Ray Bradbury | Illustrators: Dennis Calero / Joe St. Pierre / Josh Adams / James Smith | Page Count: 160

"All the things which had uses. All the mountains which had names. We'll give them new names, but the old names are there, somewhere in time..."

A comic book adaptation of one of Bradbury's most famous works. I'm not going to give a synopsis of story or outline specific themes because I've covered the novel previously. This is about the comic version only, and it'll be brief because I wouldn't recommend a reading to anyone who isn't a huge Bradbury fan.

The book contains an introduction for those that haven't read the source text, from the author himself, detailing the genesis of the original novel, which is vital information if you're to understand the passage of time and the contradictions in some of the stories.

What it neglects to mention, however, is that the adaptation is incomplete. It wouldn't have been possible to fit every story into the limited page count, but some of the exclusions are essential and defining parts of the overall work and their removal weakens it, unquestionably. For those that care, the omissions are listed below the cut:

Fahrenheit 451: The Authorized Adaptation (2009)

Fahrenheit 451: The Authorized Adaptation (2009)

Author: Ray Bradbury | Illustrator: Tim Hamilton | Page Count: 149

"Books, so the damned snobbish critics said, were dishwater. No wonder books stopped selling. The public, knowing what it wanted, let the comic books survive."

A comic book adaptation of Ray Bradbury's classic F451 story. I've reviewed the original novel already (see HERE), so I won't go over the plot again.

This particular transition from novel to comic is fully authorised by Bradbury, so you'd expect a faithful retelling. He didn't let just anyone have his works. (He once told his publisher to "go to hell" when they wanted to release F451 as an e-book. Sadly, he was forced to give in, once more proving that the book publishing world has caught up with the film world in not giving a damn about the author's intentions).

It uses Bradbury's dialogue but much of his descriptive language is lost, and it's that part of writing that he excels in, whereas his character dialogue can be simplistic and minimal.

The Martian Chronicles (1950)

The Martian Chronicles (1950)

Author: Ray Bradbury | Page Count: 305 [1]

'The rockets came like locusts, swarming and settling in blooms of rosy smoke. And from the rockets ran men with hammers in their hands to beat the strange world into a shape that was familiar to the eye...'

TMP is Bradbury's account of mankind's attempts at colonising and taming the mysterious red planet. Like some of his other books, it's a 'fix-up novel', a collection of individual short stories that were penned over a number of years and later collected together with a newly written bridge narrative, a kind of literary glue.

He revised a few of the shorts and added intercalary chapters to help it better fit a novel's structure, but some discordance remains - none of which, it must be said, is enough to belittle the concept, in general.

Bradbury's Mars isn't the dusty, desolate, and craggy landscape that we've come to accept as the norm in modern sci-fi stories. It's ornate, delicate, an organic but equally stylistic extension of the planet's mystery and its peoples' imagination, which manifests as the kind of harmony that seems to exist perpetually out of mankind's reach.

Fahrenheit 451 (1953)

Fahrenheit 451 (1953)

Author: Ray Bradbury | Page Count: 227

"And when he died, I suddenly realised I wasn't crying for him at all, but for the things he did. I cried because he would never do them again..."

Ray Bradbury's masterpiece tells of an unspecified future time when the written word is considered anathema, books are burned for their heretic meanings and too much knowledge is strictly forbidden.

If one man is smarter than another, it makes the other man feel shame and inadequacy. The state doesn't want that. They want everyone to be happy, and to achieve that they must make everyone the same. They want no one to question the equilibrium or to protest against the unfairness of the world that they've help create.

Television is the dominant information medium, a permanent fixture in almost every home, delivering sound and fury but saying nothing and somehow meaning even less. Life for the populace slithers along under a coloured blanket; the colour is grey and occasionally the colour of flame, but only if you try to think for yourself, if you risk going against the established order.

We'll Always Have Paris (2009)

We'll Always Have Paris (2009)

Author: Ray Bradbury |  Page Count: 210

'There was a sense of loss, a vacuum, an emptiness, a vast silence. The walls ached.'

If you're new to Ray Bradbury's work, it'd be advisable to start with one of his more famous collections, such as the sublime Dandelion Wine (1957) or, if you prefer a novel, the darker in tone Something Wicked This Way Comes (1962) because I'm confident that most folks will have a more rewarding time with either of those books than with We'll Always Have Paris, a collection of twenty-two previously unpublished works that showcase the author at his less than stellar best.

Culled from a lifetime of writing (he was aged 88 at time of publication) the included stories range from familiar to surprising, frustrating to satisfying, but there's nothing offered herein that equals his earlier successes. Some of the works are little more than vignettes, borderless musings that in their brevity remind us how brief and fleeting a life can be. Most noteworthy is a Green Town story and one about Mars that may please long-time fans.

Now and Forever (2007)

Now and Forever (2007)

Author: Ray Bradbury  |  Page Count: 240

'For even the thundering rocket, which rips the soul on Earth, walks silently some few miles high, treads the stars without footfall, as if in awe of the great cathedral of space.'

The book contains two previously unpublished Ray Bradbury novellas, both of which are preceded by a short introduction from the author, just a few pages in length, giving a brief but welcome insight into some of the circumstances, people, or locations that influenced each story's genesis and evolution. Thereafter the stories themselves do the work, split into perfectly structured chapters, not too short and not too long.

The first novella is titled Somewhere a Band is Playing, a bittersweet story set in a small town in Arizona. The second is Leviathan '99, set far above any town, aboard a ship in deep space. They're really quite different from each other, but both are thoroughly entertaining.

The Illustrated Man (1951)

The Illustrated Man (1951)

Author: Ray Bradbury  |  Page Count: 294

'...[P]erhaps ten minutes elapsed while the first terror died and a metallic calm took its place. Space began to weave its strange voices in and out, in a great dark loom, crossing, recrossing, making a final pattern.'

Perhaps because of the 1969 filmed version of the same name — or perhaps in spite of it, if like me you don't consider it to be a very good adaptation — the book is one of Ray Bradbury's more well-known anthologies.

The sixteen stories that are included weren't written specifically for the collection, but were gathered together with a newly penned bridge narrative that explains how each individual tale is represented as an inking on the human canvas that is the illustrated man.*

While they take place across many different times and locales, thematically most of them have a connecting cynical edge, something that the master fantasist is more proficient at than people often give him credit for. It's a theme that complements the temperament of the titular man, a drifter who feels that the pictures on his skin have a weight that burdens his soul.

Farewell Summer (2006)

Farewell Summer (2006)
Author: Ray Bradbury  |  Page Count: 166

'Just then the great clock across town, an immense moon, a full moon of stunned sound and round illumination, cleared its ratchety throat and let free a midnight sound.'

Almost half a century after Dandelion Wine (1957) was published, Ray returned to his beloved creation to deliver the next phase of young Douglas Spaulding's story.

It's marketed as a sequel novel, but that wording gives a reader false expectations; it's much too short and light to hold the weight of such an honour. Personally, I choose to think of it more as a belated coda or companion piece.

It's a feeling supported by the fact that in his afterword Bradbury tells us that the "novel" is "actually an extension" of its predecessor, the original form having been held back from full publication because of his publisher insisting that the manuscript was too lengthy.

Dandelion Wine (1957)

Dandelion Wine (1957)

Author: Ray Bradbury  |  Page Count: 319

'He stood at the open window in the dark, took a deep breath and exhaled. The street lights, like candles on a black cake, went out. He exhaled again and again and the stars began to vanish.'

Like much of Bradbury’s output, Dandelion Wine is about childhood, the magical time, but it’s also about the fading of that time, making it a bitter-sweet experience. It captures the essence of what we all know and fear, that nostalgia for childhood can help you appreciate it more fully but can only be birthed posthumously.

It takes place over one summer in 1928, in the fictional Green Town, Illinois, a place Bradbury returns to in later books. In that year, in that summer, Douglas Spaulding and his younger brother Tom live life to the fullest. For Doug, every warm day will bring him something new - every day he'll collect experiences that'll become a part of him, helping shape how he sees the world.

Something Wicked This Way Comes (1962)

Something Wicked This Way Comes (1962)

Author: Ray Bradbury | Page Count: 272

“He knew what the wind was doing to them, where it was taking them, to all the secret places that were never so secret again in life.”

Green Town, Illinois, is a quiet Midwestern town, home to best friends William Halloway and Jim Nightshade, both aged thirteen; one was born as the day ended, the other born as the day begins. They've much in common but also reflect each other, thriving on the mirror image differences. You'll recognise them. They’re you and me. They’re everyone that ever lived or ever will. Tapping into the archetypal and imbuing it with meaningful magic is one of Bradbury's many talents. His currency is emotion and he spends it without reservation.

SWTWC is a timeless study of childhood and loss of innocence, wrapped up in a dark fantasy that will excite or terrify depending on the age of the reader.