The Way of the Dragon (1972)

The Way of the Dragon (1972)

Dir. Bruce Lee

Sometimes titled with the definite article and sometimes without, The Way of the Dragon is the film in which Bruce Lee fights Karate champion Chuck Norris in a Roman coliseum while a kitty cat spectator sits on high.

Beyond that it's basically the same old story: Bruce's character arrives from overseas and helps some family members that are being exploited (this time they're in the restaurant business); there's an attractive woman (the adorable Nora Miao) for him to engage with; a traitorous countryman weasels about; and it culminates in a death match that enables Lee to show how bad-ass he really was - his fists are lightning fast during the fight with Chuck.

Even though poor Chuck only gets three words of dialogue he makes an impression.

It was the only film that Bruce got to direct before he died; he did well, especially on the finale. He also wrote, co-produced and is credited as martial arts director. The commentary on styles and how a student can be proficient in more than one is something he taught in real life.

Fist of Fury (1972)

Fist of Fury (1972)

Dir. Wei Lo

Unable to silence his feelings, and in direct opposition to the wishes of his recently dead shifu, martial arts student Chen Zhen seeks direct vengeance for the death of his teacher, bringing trouble to his own front door in the process, in a socially repressed Shanghai that's being overrun by Japanese officials.

When he's not kicking (or punching) seven shades of shit out of members of a rival martial arts school, for the majority of the film Chen exists in two basic emotional states: very pissed off, or on the verge of being very pissed off. That's okay because seeing Bruce in action is the reason most of us are watching in the first place.

I don't know how many people will have a deeper knowledge of the sociopolitical nature of the relationship between the Chinese and Japanese people in the era in which the film is set, but the distrust and enmity between the two sides is given a more literal plateau within the story itself, so it should be self-explanatory.

The Big Boss (1971)

The Big Boss (1971)

Dir. Wei Lo

TBB was Bruce's first major film. In it he plays Zheng Chao-an (alternatively spelled Cheng in some previous editions), a Chinese man fresh off the boat and working in a Thailand ice factory. All goes well enough for the new worker until he discovers that the ice factory is more than it initially seems.

It successfully established the template for much of what followed, while also highlighting his quiet, respectful persona that resorts to violence only when all other practical options have been exhausted. As such, it's not until well into the running time that we get to see the martial arts star in blazing action. But before too long there’s some WOOO-oooo-OOOO-WAHHH! and Bruce ends up angry, shirtless and bloody.

Bruce Lee (1995)

Bruce Lee (1995)

Author: Mike Baron  |  Illustrator: Val Mayerik  |  Page Count: 144

Bruce meets opposition when he opens a Jeet Kune Do martial arts school in America. The muscle-bound antagonists display their prowess in a dick-waving contest that Bruce doesn't lower himself to meet, except when he can teach them a lesson by kicking their steroid-pumped ass with his lightning-fast fists. Afterwards things get serious with murders, shootouts and a ton of other stupid shit happening almost daily.

Eventually the lure of stardom calls to him, and so he must balance a hobnobbing actor's lifestyle with that of a martial arts teacher. But he'll do it because he's a god-dammed real life superhero. At least, that's what the book would like us to believe. At one point he even turns into his Enter the Dragon ninja self, complete with a rope, in his off-screen life! It's plain ridiculous.

The dialogue isn't much better most of the time. It tries to spice things up by dropping in some of Bruce's own philosophy at opportune moments, which was an admirable idea but makes him seem like even more of an arrogant douche than the people he's supposed to be teaching by example.