Terror of Godzilla (1988): Comic Miniseries

Terror of Godzilla (1988)

Author and Illustrator: Kazuhisa Iwata  |  Translators: Mike Richardson / Randy Stradley
Page Count: Approx 30 per issue (176 total)

A six-issue miniseries set thirty years after the first Godzilla film (1954). Japan has been free of kaijū trouble since then, but a natural volcanic eruption in the Pacific Ocean changes that. So put down your coffee cups, JSDF, because it's time to suit up!

The first thing you ought to know is that the English language edition published by Darkhorse is the original manga translated, but it's been coloured.

I'd have preferred it was left as it was originally intended, but in all fairness it's not a bad job and the upside is we get it on better paper stock than Japan did. I'm going to take the optimistic stance and say that things could've been much worse, truly.

Artwork is Tezuka-inspired. Issue one is occasionally gruesome, but subsequent issues are less interesting.

There's not much emotion conveyed through facial expressions and it bothered me that the plucky hero, reporter Goro Maki, was drawn with his mouth open most of the time, surrounded by dramatic lines that did little to increase the actual drama of the scene. He gets himself stuck between two G's, the Government and Godzilla, but with help from a Professor of bio-physics named Hayashida he's determined to see the story to the end.

The story itself does everything you'd expect it to do and a few more things besides. The creature (referred to as being male) puts the fear of G into the people of Japan. He gets at least a half dozen two-page spreads upon which to go all out; they're often dialogue-free and really are impressive, effectively showing the scale of the problem.

America and Russia get involved in a secondary capacity, having commentary on atomics pinned to their inflated chests. During one such scene it succinctly puts into perspective the attitude that men of war have toward nuclear weapons and the bombing of cities into just three small panels. It shows how justification for such action is balanced against proximity to home soil (i.e. how far from home). A human error can be even more terrifying than Mother Nature's.

The quality takes a dive with the addition of a clichéd, hysterical female calmed by male rationality, in turn followed by male heroics and female sensitivity. Oh, dear. And finally, to punctuate the gender inequalities further, it ends with a daring act of male chivalry! You’ll see it coming from a mile away. The same story was handled more competently in the film version, The Return of Godzilla (1984). The post-explosive ending is definitely memorable, though.

Individual covers. Click for full size.