40 Years of Scream!: The Archival Collection (2024)

40 Years of Scream!: The Archival Collection (2024)

Authors: Various (inc. Alan Grant / Alan Moore / Gerry Finley-Day / John Wagner / Simon Furman | Artists: Various (inc. Brendan McCarthy / Cam Kennedy / Eric Bradbury / Jesus Redondo / José Ortiz / Mike Western) | Page Count: 464

'A torturous approval system was imposed, where pages thought editorially sound had to pass four further levels of oversight...'

Rebellion, current owners of 2000 AD and its associated media, would publish the instructions from a toilet roll if they thought they could make money from it, and then within a year or two probably republish it as part of a themed anthology, perhaps with the ingredients of some liquid hand soap to bulk out the page count, and some adverts for other upcoming collections.

On the flip side, they're rescuing some classic-era works from virtual obscurity via their Treasury of British Comics imprint and giving them a new, vibrant life on higher quality paper stock than most ever would've been given back in the day.

Masters of the Universe: The Motion Picture [Comic Adap] (1987)

Masters of the Universe: TMP (1987)

Adaptation: Ralph Macchio (from a screenplay by David Odell) | Illustrators: George Tuska (Pencil) / Art Nichols (Ink) / Evelyn Stein (Colour) | Page Count: 46

"Treachery. Suddenly Skeletor's men were everywhere. Someone must have let them through the defences."

A comic book adaptation of the MotU live action movie (1987) that's illustrated in a style comparable with the minicomics. The basic story is the largely the same, but visually it's a million times better than the live action atrocity is. The only exception is Beast Man, who, for some reason, resembles the onscreen version.

I wrote 'largely the same' because there's a few notable differences between the two. I don't know if it was author Ralph Macchio's own doing or if he was working from a screenplay that got further edited in the final cut, but the comic has some interesting scenes that the movie lacks, most of which function as much-needed characterisation and/or attempt to better connect or even remedy the levels of stupid in the story. [1]

Strings (2004)

Strings (2004)

Dir. Anders Rønnow Klarlund

There's a theory among wordsmiths that all stories that can be told have already been told and all we can do now is find new ways of telling.

The story in Strings isn't unique, but the telling is interesting. It's a fantasy movie about a world divided, acted out by puppets with visible strings. They're visible for a reason: they're a part of the world. If your Head-String is cut you die.

The puppeteers manage to elicit a lot of believable emotion out of the sculpted characters; they're less wooden than many Hollywood actors.

The imagination and sense of wonder on display is magical. Unfortunately, I only had the English language version available, otherwise I might've enjoyed it even more than I already did.

Primal: From the Cradle to the Grave (1992)

Primal: From the Cradle to the Grave (1992)

Authors: Clive Barker / Daniel G. Chichester / Erik Saltzgaber

Illustrator: John Van Fleet | Page Count: 64

'Tiny bones are cast aside, sweet suck of marrow still within. Half-masticated gristle spit out to make way for new treats.'

Fortunately, I chose to read Primal on the strength of Clive Barker's involvement and didn't read the blurb on the back until after I'd finished the book in its entirety. I recommend the same approach to anyone who may be interested in reading it because the blurb is spoilery.

In case that sounds like a recommendation, I'll jump ahead and sum up my thoughts now: it was deeply disappointing and isn't something I plan to revisit.

Barker's influence is felt chiefly at the book's beginning, in its basic themes and initial mysteries, and in how it incorporates notions of sexual desire mixed with esoteric experimentation, exploring how a hungering lust for new  experiences can open doorways to darker realms.

Class (2016)

Class (2016)

Dirs: various | 1 Season (cancelled) | 8 episodes, approx 44 mins each.

A Doctor Who offshoot targeted at the Y/A demographic. Previously, we'd had a series for children and one for 'mature' viewers, which is The Sarah Jane Adventures (2008-12) and Torchwood (2006-11), respectively, so it probably made sense to then aim for that valuable middle gap.

I'm not of that age group, so may not be able to connect directly with contemporary concerns of folks that are, but it doesn't matter to me if a story is conceptually for children, teens, or adults - if the work is well-written and/or the characters are engaging, then I can watch and enjoy it.

Class tries hard, with both its relationships and its themes, but I don't feel it's strong enough to appeal to many people outside of the 16-18 y/o audience.

But maybe it was never meant to. Maybe its goals were modest, and it was simply meant to reflect the times in which it was made, without challenging expectations too much. I don't know.

The Unholy (1988)

The Unholy (1988)

Dir. Camilo Vila

A blind-buy for me that turned out to be a lot of supernatural fun. It stars Ben Cross as a Priest named Michael who gets appointed to a New Orleans parish that has been closed for a few years, for reasons that are shown in the movie's opening scene but which I won't spoil.

Inside the church is an evil presence that strives to influence the newcomer, but Father Michael is determined to resist. Yes, it's another tale of Good vs Evil, Heaven vs Hell, etc, happening on Earth, naturally, because that's where that kind of shit nearly always goes down. 

There's often a trade-off in 1980s supernatural movies — such as good FX but bad acting, or good direction ruined by bad editing — but The Unholy does well right across the board.

My Cousin Vinny (1992)

My Cousin Vinny (1992)

Dir. Jonathan Lynn

MCV isn't bursting at the seams with plot, but it makes up for that in spades by having heaps of charm and characters worth caring about.

It’s a comedy about two young New Yorkers (Ralph Macchio and Mitchell Whitfield) who get their asses deep in trouble while driving through Alabama and end up needing a lawyer.

They get Vinny (Joe Pesci). He's a legal fish out of water, but he's got something to prove, so he throws his heart and soul into the work.

The cast are all excellent. Pesci is his usual self and perfect for the role. Marisa Tomei provides great support and tremendous sparkle. And seeing the wonderful Fred Gwynne without bolts in his neck is also a rare treat.