Lucifer: Volume 10 (2006)

Morningstar (2006)

Author: Mike Carey | Illustrators: Peter Gross / Ryan Kelly / Colleen Doran / Michael Kaluta | Page Count: 192

"Fight. Win, or be defeated. Die. Make your own arrangements. I'm not your keeper."

Volume 10 of 11 in the Lucifer series. After an emotional opening, picking up a thread that may have seemed done and dusted in one of the earlier books, the apocalyptic conclusion to the shit-storm that has built around the Lightbringer for the past few books gets underway. What follows is conflict on a grand scale - chaos unleashed in a place unprepared for it... again.

While some fight for victory, some for honour, and some simply for the joy of fighting, Lucifer knows that to craft the New he must first destroy the Old, and not just in the physical sense. The victor may win the battle but it's not just Above and Below any longer; the whole of Creation itself is at stake. So what if the collateral damage is a few billion souls? In such a crusade, his rules are the only rules that matter.

Godzilla: Heisei Era Films (1984-95)

16. The Return of Godzilla (1984)

Dir. Koji Hashimoto

NOTE: numbering continues sequentially from the Shōwa Era. For simplicity's sake I've used English language titles for each of my Godzilla reviews, but it's always the original Japanese language versions of the films that I refer to.

The Heisei Era is almost exclusively a case of Godzilla vs [ANOTHER] kaijū; the exception is the first film, which is a reboot of sorts, being a sequel to the original 1954 film that ignores the other fifteen Shōwa films. It was a deliberate attempt to return the series to its origins. It successfully made Godzilla scary again. No longer something to be mocked, Godzilla is total fucking destruction.

The first proper reveal of the rejuvenated beast is impressive, with newly added facial animatronics that enabled it to have nuances like never before.

AER: Memories of Old (2017)

AER: Memories of Old (2017)

Genre: Adventure | Players: 1 | Developer: Forgotten Key

AER: MoO deserves praise for a number of things, but perhaps not so much as an actual game. That doesn't mean it's a joyless experience, though. I enjoyed much of it, for the brief time that it lasts.

Its biggest influences are Nintendo's The Legend of Zelda, specifically Skyward Sword (2011), which is the least fun I've ever had with a LoZ game, and Thatgamecompany's majestic Journey (2012).

It has a similar setting and makeup as SS, (i.e. set upon floating land masses in the sky, with a few dungeons/temples that must be visitied in order to progress) and attempts the same kind of soulful pilgrimage that Journey handled so perfectly.

Both the aforementioned games feature a wordless protagonist, as does AER. Her name is Auk.

Auk is a shifter, able to transform at will into a large bird, enabling her to traverse from one floating island to another with ease. The actual transformation is fluid and pleasing to do, performed by a single button-press, both ways.

Stargate SG-1: Season 10 (2006-07)

Stargate SG-1: Season 10 (2006-07)

Dirs. Various | 20 episodes, approx 44 minutes each.

Ten years is a heck of a long time to be watching a weekly TV show. Luckily, with shiny disc media (or stream or DL) it can take just a fraction of that to watch it at home from beginning to end.

I scheduled one post per month for ten months, but I finished the series in about half of that time. Binge-watching is a double-edged activity, but ultimately it allows one to better evaluate how a show changed over time; having to wait a decade between the first and last episodes would make that difficult. For my purposes, the binge-watch positives outweighed the negatives.

Stargate changed quite a bit over the years, in scope and in cast, but its greatest strength was always in its team dynamic, which is something that it remained largely true to throughout.

The individual members would clash often in their beliefs, particularly Jack (Richard Dean Anderson) and Daniel (Michael Shanks), but at the end of the day each of them was elevated and heartened by having the other at their side.

Lucifer: Volume 09 (2006)

Crux (2006)

Author: Mike Carey | Illustrators: Peter Gross / Ryan Kelly / Marc Hempel / Ronald Wimberly | Page Count: 168

"I walked on into chaos, and the earth beat like a heart beneath my feet."

Volume 09 of 11 in the Lucifer series. The dictionary definition of a 'crux' is 'a vital or decisive stage, point, etc. / a baffling problem or difficulty'. The Lucifer book embodies both of those things, for sure.

The first story kicks off with the politics of Hell once again in disarray. The current Duke of Gly plays a pivotal role in what direction it'll take. I didn't think Marc Hempel's art on the work was a good match for Mike Carey's words. The illustrator's cartoon styling lessens the severity of the situation. I liked his version of Gaudium, though, but I'd probably like Gaudium even if he was drawn by a five-year-old wearing a blindfold.

After that single issue the regular team of Gross and Kelly take over for the titular tale. Carey's ability to drop little things into the plot, things that through causality will escalate into giant things if left unchecked, makes the book more than exciting. While it's true that characters should be left to grow at their own pace, sometimes they need a little push.

Godzilla: Shōwa Era Films (1954-74)

01. Godzilla (1954) 

Dir. Ishirō Honda

NOTE: for simplicity's sake I've used English language titles for each of my Godzilla reviews, but it's always the original Japanese language versions of the films that I refer to.

The monstrous growl that's heard over the film's opening credits foreshadows what's to come, which can be summed up as the Japanese people facing a monstrous terror that the rest of the world has never seen. It begins at sea and then moves inland.

The creature responsible for the inhuman roar — the monarch of kaijū eiga — is a force to be reckoned with, for sure, and is more than just an excuse to have a guy in a rubber suit trash tiny models. You don't need to be a history scholar to pick out the many wartime parallels: nuclear weapons testing in the Pacific, irradiated wells, air raid sirens, and footfalls that sound like distant bombs impacting and exploding are all highlighted.

The Ring Virus (1999)

The Ring Virus (1999)

Dir. Kim Dong-bin

TRV is (to date) one of four 'film' versions of Japanese author Koji Suzuki's Ring (1991) novel. It's South Korea's attempt at capturing the horrors, although Wikipedia mentions that's it's a 'joint project' with Japan - but what that means specifically, I don't know.*

I'll go quickly over the story again in case some folks aren't familiar with it. A journalist (Shin Eun-kyung) investigates, for reasons both personal and professional, the mystery of a cursed video tape that supposedly heralds the death one week later of anyone who watches it. The hunt for the truth puts her onto paths that lead to supernatural happenings and alleged psychic phenomenon.

Like in Hideo Nakata's version of the story, the protagonist is changed to female, but otherwise TRV more closely follows the plot of the novel. The 'virus' part of the title is alluded to directly, and there's references to cloning, identity, and gender early on.

Perhaps unwisely, it also also recreates (i.e. steals, sometimes almost verbatim) some of the other film's more recognisable original scenes, which blurs the line between it being a new adaptation of the novel or a semi-deferential remake, ultimately lessening its distinctiveness.