Batman: The Animated Series (1992–95)

Batman: The Animated Series (1992–95)

Dirs. Various | 85 Episodes (65 in S1 + 20 in S2), approx 22 mins each. [1]

Quintessential - that's what The Animated Series version of Batman is for me, outside of the printed page. Whether it be live action or animation, TAS is superior to every other onscreen interpretation of the iconic character that I've encountered thus far.

That same adjective applies to two of its most notable voice actors. Firstly, Kevin Conroy, who provides the voice of both billionaire Bruce Wayne and his pointy-eared and black-caped nighttime alter ego. [2]

The other, mentioned second but no less memorable than the first is Mark Hamill, who brings maniacal life to The Joker. I've not enjoyed Hamill's work outside of TAS, but as the clown prince of crime he's a master.

Chocky (1968)

Chocky (1968)

Author: John Wyndham | Page Count: 164

"An open mind is a difficult thing to keep."

My first experience of John Wyndham's fiction was the 1984 children's TV drama adaptation of his Chocky novel. Now, a great many years after that memorable encounter, I enjoyed it again in its original medium.

It's the story of an adopted eleven-year-old boy named Matthew Gore. Like many youths his age, Matthew has an active imagination. When his father overhears the boy holding what seems to him to be one side of a two-way conversation, he suspects it's that aspect in play. The truth, however, turns out to be much stranger.

The father, David, is the narrator of events. We learn about Matthew both through his personal observations and those of his wife, Mary, when the two compare their feelings and fears about the boy's changing behaviour.

Blackstar (1981)

Blackstar (1981)

13 episodes, approx 22 mins each.

It's well-known among the Masters of the Universe fanbase that some of the toy-line's action figures were repurposed assets from Mattel's own Big Jim franchise, but what's mentioned much less often is that Filmation's animated MotU TV series did some blatant borrowing of its own, from their short-lived Blackstar (1981) TV series, which came out two years before MotU and is in many respects a kind of precursor to the format that MotU settled on.

John Blackstar's origin is entirely different to He-Man's, and he doesn't have a secret dual identity, but the similarities in other areas are numerous and undoubtedly more than mere coincidence.

The show's opening credits provide backstory, which I'll transcribe below, for anyone who's interested:

The Wicker Man: Film (1973)

The Wicker Man (1973)

Dir. Robin Hardy

Police Sergeant Howie (Edward Woodward) travels alone to a remote Scottish island to investigate the disappearance of a young girl, but the local villagers hinder his efforts at every turn.

Undeterred, the single-minded officer digs deeper and discovers things that shock and offend him, both on a literal and spiritual level.

The Wicker Man has singing, dancing, and Christopher Lee in a wig and summer dress. I'm sincere when I say it's perhaps the most unique British film ever made (certainly that I've ever seen, at least) and is arguably both Christopher Lee's and Edward Woodward's finest moment. Both men had a CV filled with superb work, many times over, so it's high praise indeed.

It's been described as "The Citizen Kane of Horror Movies," and while that means absolutely nothing in real terms (I don’t even consider it a horror film) it's undeniably atypical and for that alone deserves to be applauded, even if you hate it.